Laza,
I just saw your post re: Moerch vs. Audiomods.
I didn't get a chance to do a lot of A/Bing the Moerch arms and the Audiomods. I do think, outside of the bass, that the big jump in sound quality was from the stock Rega 301 to the Audiomods. Audiomods gave improvement in the treble in particular. And besides that there was an increase in detail over the stock Rega. The 301 was outclassed by the Rock and was a limiting factor. But I would not say that was the case on the Audiomods.
The Moerch arms do improve on the Audiomods in ways you would expect from much more expensive arms. Again, detail is improved, and the Moerch arms, especially the DP-8, really bring out bass detail and impact on an LP. In a way I think most would find surprising for analog playback. From Audiomods to Moerch, you are entering another class of tonearms. But with the Audiomods you are entering the realm of tonearms well-suited to the table (not holding the table back).
I just saw your post re: Moerch vs. Audiomods.
I didn't get a chance to do a lot of A/Bing the Moerch arms and the Audiomods. I do think, outside of the bass, that the big jump in sound quality was from the stock Rega 301 to the Audiomods. Audiomods gave improvement in the treble in particular. And besides that there was an increase in detail over the stock Rega. The 301 was outclassed by the Rock and was a limiting factor. But I would not say that was the case on the Audiomods.
The Moerch arms do improve on the Audiomods in ways you would expect from much more expensive arms. Again, detail is improved, and the Moerch arms, especially the DP-8, really bring out bass detail and impact on an LP. In a way I think most would find surprising for analog playback. From Audiomods to Moerch, you are entering another class of tonearms. But with the Audiomods you are entering the realm of tonearms well-suited to the table (not holding the table back).