Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
"Ok, take away the Spanish, and Arab components and what is left? Drumming?"

You might want to reconsider this.


Chazro, with the exception of Paquito, whose more into jazz, the other Cuban musicians play very beautiful Cuban music. They have followed a historic lineage, and they've done it very well. That's not to say they're imitating the past, but improvising on it, and incorporating new music of their own. That new music is still distinctly Cuban.

This is not a matter of "old versus new", but what sounds beautiful and sensual according to my musical sensibilities. Those are two traits the new musicians retained, as they must for authentic Cuban music. I liked them very much, and they will be added to my collection.

Enjoy the music.

Rok, we're discovering the same thing at the same time, and it's so absurd. Everything with an African origin is changed to something else. If you recall the soundtracks to old movies with a Brazilian or Mexican settings, that was "Afro Cuban music". Some people have a "photographic" memory, I have a "phonographic" memory. I recall when I was in my early teens, seeing a movie titled "In Brazil" with Glen Ford, and there were several dance scenes, and the music was the same as what I heard on this CD titled "Cuban All stars", that's what I'm talking about. They never gave the people who created the music credit for it.

Enjoy the music.
You lost me now. Or, maybe, you lost yourself with your unwillingness to be a little more openminded. Rok, at this point in the discussion we were talking about latin music or latin jazz; what you referred to as "so-called Latin stuff", and NOT traditional jazz. My references and examples of what influenced the shaping of this music are established facts. We may not like a particular music, but that doesn't mean we can try and change the facts. The irony here is that it was you that first brought up latin music with your reference to the Buena Vista SS, and referred to it as Afro Cuban Jazz; doubly ironic, because if you were to ask fans of the music for examples of Afro Cuban Jazz, BVSS would probably be at the bottom of the list. So, to paraphrase you: Which is it, is "so-called latin stuff" jazz or not?

Anyway, it seems to me that I have been here before in discussions with you, and I will take a cue from experience and bow out; this is too nice a thread for silly bickering. My comments speak for themselves.

****and it's so absurd. Everything with an African origin is changed to something else****

I find that comment fascinating on several counts. Yes, it's true that throughout musical history (and history in general) there are many unfortunate examples of African contribution to the art not given sufficient credit. But, don't you think that it is a kind of political correctness, to suggest that also giving credit (correctly so) to the contribution of other nationalities to an art form that is clearly a melting pot of many influences, somehow detracts from the importance of the African contribution? In fact, what has been happening in recent times is exactly the opposite, and demonstrates the danger of political correctness in the arts. The incredibly rich African contribution is now highlighted at all cost, at the expense of other contributors, and even exploited to make political statements, or for profit. The danger is not only that others are denied deserved credit, but that by it becoming politically incorrect to criticize art with African origins, we actually hurt the artistic heritage of a culture (think rap).

I am at a loss to understand how acknowledging the fact that Latin music is more than just a single, African influence somehow detracts from the importance of the African influence. Rok challenged one of my comments this way:

****"Ok, take away the Spanish, and Arab components and what is left? Drumming?"

You might want to reconsider this****

Really? Let's delve a little deeper and actually see what is left if one takes out the Spanish and Arab components. But, lets have more than just opinion; let's use concrete examples and analysis.

Your example of the movie "In Brazil" is an interesting one. Brazilian music is acknowledged to have a strong African influence. How do you propose that "credit" be given? Should every Holywood movie with a John Williams score give credit to the folk music of the native people of Hungary, since Bela Bartok had some influence on John Williams' composition style, and the music of Hungary was an influence on Bartok? Pretty convoluted, no?BTW, correct me if I am mistaken, but I think the movie that you refer to is "The Americano", set in Brazil. The reason that the music sounds so much like the music in "Cuban All Stars" is that the composer for the score in "The Americano" was Xavier Cugat, who I am sure you know was a Cuban composer. Actually, he was not Cuban, he was Spanish and spent many years in Cuba. See, as I have been saying, in this music there is more than one single important influence and they are all connected.