Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
A very insightful post; and I agree completely. This is one of two very common misconceptions about musicians held by many music lovers. This quote by Louis Armstromg addresses this point and shows that he cares deeply about what the audience thinks, and also touches upon the second misconception:

"If I don't practice for a day, I know it. If I don't practice for two days, the critics know it. And if I don't practice for three days, the audience knows it"
- Louis Armstrong

The second common misconception is the idea that jazz musicians don't practice relentlessly; that their art is just the result of inspiration and innate talent. Clearly, there needs to be a great deal of innate talent. But, the greats were incredibly dedicated to the rudiments of playing their instrument and for years spent countless hours "woodsheding". Bird, by his own admission, spent one period of four years practicing 8-11 hours a day (!!!).

That was hilarious!!

When I opened it, I just happened to be listening to 'Boss Tenors' Gene Ammons and Sonny Stitt.

Cosby is one funny guy! Thanks for sharing it.

Agree with your assessment of Lee Morgan-he was a great player. One of my favorites. I have the XRCD version of Candy and the sound is excellent. I was listening to his Tom Cat album yesterday, also the XRCD version, and it is very good.
Jazzcourier, Mintons, a small joint in New York city, could hardly be called a "Public forum". Rok, if the JATP is your concept of jazz, that was dead a long time ago. Some reasons for the death of jazz are quite controversial, some aren't, like economics for example.

Beyond the death of jazz in this country, it has evolved in other parts of the world. Here's one example of the evolution of jazz.


Enjoy the music.