Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

@tyray ,

Since I am not the target audience for this album, I gave Black Radio 2 a wide berth.  Although there are some okay bits, I don’t think I will be rushing out to buy a copy. 😎

Listening to Bent Jaedig, The Free Spirit.  It’s a well recorded live album.

@curiousjim,

I finally got around to listening to the album. The album is called, (The) Robert Glasper Experiment - Black Radio 2 and it has 16 songs with Anthony Hamilton, Brandy, Common, Dwele, Emeli Sandé, Faith Evans, Jill Scott, Lalah Hathaway, Luke James, Lupe Fiasco, Malcolm-Jamal Warner, Marsha Ambrosius, Norah Jones, Patrick Stump, as well as Bilal, Eric Roberson, Jazmine Sullivan, Jean Grae and Macy Gray appeared on a deluxe version of the album. That’s a lot of guest artists to put on 1 album and it sounds like it too, in a good way.

I was very impressed with the musicianship. The young folks would consider it as Jazz as I think that is who it is targeted to. This album has a lot of ’meat on the bones’ and takes awhile to listen to with a fresh, up to date take on jazz. It’s definitely a keeper to be put in rotation. Robert Glasper Experiment · Black Radio 2

@curiousjim

There’s something about the way he pounds those keys and you can tell that his bass player and drummer seem to enjoy playing with him as well.

Probably because he so clearly enjoyed what he did. It’s as though he was immersed in a constant process of discovering new delights. With no evident (to me) technical limitations, he was free to instantly play whatever came into his head. Playing music was, for him, just that -- "play". 

@stuartk 

I pretty much like all of his recordings.  There’s something about the way he pounds those keys and you can tell that his bass player and drummer seem to enjoy playing with him as well.

Here is a Spiritual Jazz album that I have on constant rotation:

Philip Cohran & the Artistic Heritage Ensemble - On The Beach (1968)

https://youtu.be/Q_Yfd4me6hs?si=6UzizwsZUrinjh5P

 

 

@curiousjim 

Petrucciani said: "I play with a lot of balls" and he was certainly a very powerful player. But what I experience listening to him, more than anything, is an overflowing, exuberant joy. 

My personal favorite remains "The Complete Concert in Germany" I bought in Paris.   

 

I just listened to Michel Petrucciani, Live-Montreux Jazz Festival (1993) (HD) again and it was like hearing it for the first time.  I closed my eyes and just smiled.  What a wonderful album!

Someone posted a youtube Michael Brecker music audio a while back and I tried to find it but couldn’t. If anyone can find that link for me it would be much appreciated. As I mentioned in another thread I get a lot of ’new’ music here that I have never heard and that muscc audio is exactly what I was talking about and I like to bookmark them.

 

@frogman

Interesting. Detached or aloof are probably the last two characteristics I would think of. I find his playing to be very direct and committed.

This points to the challenge of dissecting esthetic experience and attempting to describe it verbally. I didn’t mean indirect or uncommitted. He’s clearly neither.

It’s probably best to avoid interpreting my experience in terms of what I think he’s doing or where he’s coming from, as I can’t know those things. My mistake!

What I do know: I find his playing unengaging on an emotional level. I have the same experience with Jim Hall and Weather Report, to name two other examples.

 

@tyray

There’’s a tune Glasper did with Norah Jones, Let It Ride, that’s pretty good. Pretty sure it is not on an album yet, but I could be wrong.

It’s good to see young folks not only playing jazz but coming to the shows and supporting the new artists. These are 2 videos of the same song with a whole lot of improvisation with at time, different band members.

Chief Adjuah aka Christian Scott - West of the West

Chief Adjuah (Christian Scott) | Max Mucha | Elé Howell |Cecil Alexander| Morgan Guerin | Richard Howell

 

Contrasts indeed. From gut bucket straight ahead blues jazz to Kenny Burrell’s and Gene Evans produced ethereal stringings.

I’ve loved the guitar since I was a kid listening to Duane Eddy playing "40 Miles of Bad Road" and "Pepe". Then one day I saw an LP with a bright red Gretsch on the cover and I thought I might see what someone else played on the guitar Eddy used.
I was amazed at the sounds coming from Chet Atkins’s fingers, completely unlike the single note twang of Duane Eddy. My dad even liked it and let me play it on his Fisher stereo. I started trying to learn finger style playing after that and left old Duane behind.
In my freshman year in college a friend turned me on to jazz and I started to listen to Joe Pass, Django Reinhardt, Johnny Smith and my favorite, Kenny Burrell.

Which takes me to my pick for "Aficionados".
Burrell recorded a brilliant album called "Guitar Forms" with arrangements by Gil Evans. The tunes range from a Gershwin prelude transcribed for a classical guitar, to a version of Greensleeves which begins as a classical guitar solo, then Burrell switches to electric as Evans and the orchestra come in with a powerful swinging arrangement. There are also small group tracks and two beautiful Gill Evans arranged big band tracks.

Still my favorite record of all, Kenny Burrell, "Guitar Forms"...

https://www.youtube.com/watch?v=Qp50jQ_mPAg&list=PLvxWibFr0wiLXaegSULNzwUcrz5c4K5Pm

And see what reviewers had to say about these pure silver interconnects:
https://silversolids.com/revbuysB.html

Post removed 

Interesting. Detached or aloof are probably the last two characteristics I would think of. I find his playing to be very direct and committed. The beauty of music in that it can cause different reactions.  (Btw, one of the few players who can improvise without piano or guitar and the harmony of the tune remains always clear).

https://youtu.be/dYoRS4rEqCQ?si=rrS4QNT3Fj6oURyr

https://youtu.be/Xm-9qQu8yKA?si=jYhcs1NXcBa0SgTQ

@frogman

For me, Pharoah’s version is the most immediately appealing but is it too rapturously beautiful? Does he skate around the anguish ?

Is Coltrane more courageous ?

More obsessively driven to wring out every nuance?

As always, I find Rollins rather inscrutable. That’s not the right word, exactly. I always get the sense his intellect is more involved than his emotions but of course, I can’t know this for a fact. I don’t know how else to describe what sounds to me like detachment/aloofness. Maybe it’s me who lacks the sensitivity to pick up on what he’s expressing.

Contrasts indeed! Well, let’s contrast 😊

First, one should look at the song’s lyrics. For me: melancholy, tenderness, feeling of the blues (obviously, “You don’t know what love is/Until you’ve learned the meaning of the blues”). Should be played as if spoken. Is the player telling the story of the song?

Sonny: Love Sonny. Love that sultry, velvety tone and it mostly works for me, but gets a bit notee (notey?).

Pharoah: Great! Incredibly expressive owing a lot to Trane’s approach to that melody and Trane’s tone. He doesn’t improvise and sticks to playing the melody. Said it all with just the melody. Love that.

Phil: I normally love Phil Woods, but this is not my cup of tea. Way too many notes (notey?) and no tenderness at all. Yuck! In fairness, the tune is one of those tunes with a chord progression that is really satisfying for players to improvise over. Sometimes leads to over playing.

Booker: I like it, but not nearly as much as Sonny’s version while having similar tone concepts.

My favorite and the classic. Beginning to end, like someone speaking about a lost lover. Pretty amazing. Trane really was a genius:

https://youtu.be/YHAKe26KqG4?si=R3DSVNrAprv_G6h0

You don’t know what love is
Until you’ve learned the meaning of the blues
Until you’ve loved a love you had to loose
You don’t know what love is

You don’t know how lips hurt
Until you’ve kissed and had to pay the cost
Until you’ve flipped you’re heart and you have lost
You don’t know what love is

Do you know how a lost heart fears
The thought of reminiscing
And how lips have taste of tears
Loose the taste for kissing

You don’t know how hearts burn
For love that cannot live, yet never dies
Until you’ve faced each dawn with sleepless eyes
You don’t know what love is

You don’t know how hearts burn
For love that cannot live, yet never dies
Until you’ve faced each dawn with sleepless eyes
How could you know what love is, what love is
What love is

 

Listened to "John Coltrane Quartet Ballads" today flipping sides over and over.

Elvin Jones' brushes, climbing cymbal mallets and rolls on within and nearly all the lead outs are pure genius. Rising like a Phoenix to remind us this was not an "easy listening  session" - actually complex when I listen to what's happening with the time signatures and rhythms of Tyner, Garrison and Jones underneath Trane. 

I do consider this one of the best jazz albums of all time, so I am biased. 

Enjoy this track for a reminder of what (for me) rings true to this ...

https://www.youtube.com/watch?v=YHAKe26KqG4&list=OLAK5uy_lELmp3lItqC6VDTGJLkvFuFBidfOH_WrQ&index=2

@pryso 

Here is a straight to YT link for the ad in case others don't use Google search to watch embeds. 

Thanks again. I have watched this 3x already! 

I think now there is 6 recordings albums of title "virtuoso"...

 

 I know only 4... Top each one...

 

In this article they said 6...

https://www.allaboutjazz.com/joe-pass-virtuoso-by-c-michael-bailey

 

Happy new year and big health and perfect hearing and some good  surprize to come this year  for you...

 

@mahgister, I was surprised to find a total of 3, and you say there’s a 4th? Way cool...

 

@msbel, some years ago Mingus' Haitian Fight Song was used in a commercial.  A younger man comes to pick up an older man (his father?) from what appeared to be a care facility.  Then they hit the highway and that music was perfect as an expression of the old guy's freedom.

As a long time Mingus fan I liked it before that, but it produced a commercial I was always happy to see -- a rare situation.

 

@acman3, Wow! Thanks! I see on wiki there many different version than the original 5 song album release. The 2001 Expanded Edition has total of 22 songs! Check it out. https://en.wikipedia.org/wiki/Tijuana_Moods ’Charlie’ Mingus. Lol!

 

https://www.youtube.com/watch?v=6OFleiE81-E

Never been able to sit still while listening to this - more gyrating in some weird dance - which I believe is the intent. 

Mingus' lead in is one of his best. And throughout more out front that most of his later arrangements of the same tune ... 

Danny Richmond drumming like a swinging jet engine 

Jimmy Knepper is phenomenal 

You know this one.

 

 

@frogman

I’m afraid I can’t shed any light on the "Cisco" discrepancy but I’m looking forward to buying the Remler release!

 

The Virtuoso series highlighted Pass’ solo chord melody playing. Here’s one of several that featured his single-line playing:

https://www.youtube.com/watch?v=zBf4kKoqnDc&list=OLAK5uy_mDghlHcFxACNnunc0A6IpNpIFtA5sGoHQ&index=2

 

 

I own the 4 albums virtuoso and i never hear  something on par with these improvisations...

Marvellous !

@frogman and @acman3,

Back atcha! The entire album - VIRTUOSO - is killer, and I wouldn't be surprised if this has already been posted.

Joe Pass - Night And Day

@tyray , if you’re new to Pat Martino you may like this. I’ve posted it previously,

https://youtu.be/2o0AoEqSlB0?si=wvoQQ9f2OhoqI8ga

Another with “a little Spanish tinge”…..at least in title.

https://youtu.be/hTe9M4yFdEQ?si=d-bPx07fmguHr97T

By the way i am always  pretty flabbergasted by Booker Little playing...

 

 

 

@tyray ,  glad you liked it.  Pat Martino was a badass!  Very interesting and at times sad personal story.

@frogman and ​​​​@mahgister 

Pat Martino's El Niño and Cisco?! This is some of the best stuff I've heard in a long, long time! I like anything, with a little Spanish Tinge...Thank you both - dearly...

Great stuff, acman3 and stuartk!

Remler sounds great, but I’m a little confused about the title of the tune. “Cisco” is credited to Pat Martino, but his “Cisco” is a different tune.

A brand old guitar recording that is really good! 😊:

https://youtu.be/IqLyOs_JlaI?si=NQSEwZ-LEXqT4I-b

 

Looking forward to that Emily Remler recording! 

 

A brand new guitar recording that is really good!

https://www.youtube.com/watch?v=cFBrzPPHftM

... while on the topic of Jazz guitar, here's a track from an upcoming live Emily Remler release "Live at the Four Queens, Las Vegas, May 28th, 1984":

 https://www.youtube.com/watch?v=akjgp20yZ8Y