This is my last post on this thread. I’m done trying to get people to listen to a current Linn LP12 model and have an open mind. All I can say is that if the table was so very poor sounding, I doubt so many would have sold...and continue to be in high demand worldwide. If one has to seek out a Linn dealer, that is common with almost all gear in high end...that’s why it is high end and not midfi ---one doesn’t have the option of buying it at your local mart.
The set up, like all technical gear, has to be done by someone who knows what they are doing and has had some training, not by any ’tinkerer’ who happens to be good at auto repairs.
Are there better tables out there, sure there are..but not IME at the price level..one has to spend considerably more.
I’m going back to enjoying the music on my Linn LP12 Radikal D...the others can keep on arguing and guessing/postulating at what the SQ is.
The set up, like all technical gear, has to be done by someone who knows what they are doing and has had some training, not by any ’tinkerer’ who happens to be good at auto repairs.
Are there better tables out there, sure there are..but not IME at the price level..one has to spend considerably more.
I’m going back to enjoying the music on my Linn LP12 Radikal D...the others can keep on arguing and guessing/postulating at what the SQ is.