Your post made me laugh because I have the exact same issue with the exact same track! On the Nature of Daylight is one of my favorite test tracks along with Final Ascent from Hans Zimmer's No Time to Die soundtrack. Right at 1:45 on Nature of Daylight, a wonderful deep musical bass comes in that you can feel in your bones. It's so so good.
I was using a Rel T/7X with my Dynaudio Confidence 50's, but on the recommendation of several people, I switched to dual Dynaudio Sub 6's which have presets that integrate perfectly with Confidence 50's. Everything sounded much better except for On the Nature of Daylight. I tried a lot of tweaks including placement, boosting the volume on the subs, changing crossover frequency etc. Nothing worked. On a whim, I added back in the T/7X, and that same 'feeling' was back. I have both dials on the back of the T/7X set pretty low (in the 9 or 10 oclock position). I don't know why I didn't try it sooner - I guess I thought dual subs would be enough. But running the T/7X along with the dual Sub 6's makes such a difference to me that I'm going to keep it in the system. I might upgrade the T/7X down the line to a carbon special or No.31 but for now, I'm enjoying it.
For context my setup:
Electronics: Burmester 911 MK3/ 088 preamp/ 151 MK2 Musiccenter/ 948 pc/ Lyngdorf TDAI-3400.
Speakers: Dynaudio Confidence 50 with dual Sub 6's (and now the Rel T/7X)
Room: approx 240 sf