Longer speaker cables or interconnects

cd318,

Yes. Between his 1st and 2nd LP. He was a scrawny, skinny kid then. And Parsons, that was between his two LPs of course, he was dead a mere 5 months or so later. I sat in the front row at that and most of the other shows, which as you would know if you were ever there was almost literally sitting in the lap of the artists. A friend was a waitress downstairs and she would get me in early and for free through the back. I met Debbie Harry through her, as Ms Harry was a waitress there before Blondie, but of course back then she was just Debbie and I didn't get to know her well. I eventually saw her again though with Blondie, also saw Bowie, Talking Heads, Dave van Ronk, Iggy Pop, Alice Cooper (with a "C"). I missed Phil Ochs :-(

I miss those days. Micky Ruskin was a special guy, Max's was a special place, upstairs and downstairs. I think Micky died of lung cancer at a very young age, maybe 50. Mickey helped artists in need. I think I paid for only half of what I ever ate and drank there, as I myself was a struggling artist at the time and he would just wave the tab. It was no wonder he was broke all the time, but he did built up quite a collection of 60s artwork by chamberlain, Marden, Warhol, Poons, Andre, Weiner etc because they would run up these huge tabs and then just pay him with an artwork. They would be worth a fortune these days. The walls were like an art gallery.

The Bottom Line had superb acoustics, maybe the best of any club that I have heard. Miles set itself was great, but as you can imagine he was horrible. It was the Agartha period: great music but in hindsight it was also a glimpse of the beginning of the end.

Springsteen. The new Dylan. 

@unreceivedogma,

First of all my rig is in no way in your rigs league. Let’s get that straight right now. I notice you play your albums with the dust cover on. Well, my first so called ’audiophile’ turntable was a Pro-Ject RPM 5.1 SE and I couldn’t believe it when the owners manual said specifically not to play albums with the dust cover on as the dust cover tends to vibrate from the speakers and the turntable when the turntable is playing! Is it is just a dust cover only? For when the turntable is not playing? And not for sound reproduction? I'd enjoy some feedback on the above comments here.

I thought this was nuts, but tried it anyway, and you know what, I have been playing albums that way ever since. No matter what tuntable I am using at the time. I found through listening tests that the sound is better when no dust cover is used!

There’s a long standing debate of what the stylus can and and cannot hear or read. Is the stylus similar to a mic? Or does it only read what is transcribed when in the grooves of vinyl?

Maybe the closed turntable dust cover/lid thing is a holdover from the 70’s when our parents would buy us those cheap-o all inclusive thingys so us kids could have our ’blue lights in the basement’ parties. Ahhh...Those were the days weren't they? Never realising that the old RCA or Magnavox that mom and pops had upstairs was actually a way better rig!

As to interconnects and speaker wire I think you said you had something similar to the old Monster cable back in the day? I know you didn’t want to spend a lot of money but with a $17,000 rig, I think you can afford more for interconnects and speaker wire than you give yourself credit for.

I would suggest you take a look at Morrow Audio speaker wire and interconnects especially since they have a 60% off sale going on too right now. When you have good speaker wire and interconnects you can almost run them as long as you want.

I’m using Blue Jean Cable speaker wire and interconnects and have 25’ each for my dual subs with no problems in sound degradation whatsoever. Cheers mate.

The word you’re looking for is resonant cavity.

Tyray,

Actually, the dust cover is usually up. But with about 10% to 15% of my records, beyond a certain volume, say 85 decibels or so, the cartridge picks up feedback hum from the speakers. When the dust cover is down, the problem disappears completely. The cover does not “chatter” at all. I presume Westfield must have dampened it somehow. And, I presumed from that experience that it must actually be better to have the cover down all the time, but I get lazy and I otherwise don’t hear a difference. With the new room, that may change.

As for the cost of equipment generally, never mind cable, I’m from the David Halfer school of audio. You shouldn’t have to mortgage the house for good sound. I see someone has brought an updated version of the old Dyna70 back, still regarded as one of the great designs of all time. I still have my Dyna MK III monoblocks for the day that I finally get around to bi-amping my speakers.

i did not pay for that Koetsu. It was a gift from a very well known rock musician / environmentalist via his engineer. No way do I spend $10K on a cartridge. That said, it is way better than my Benz Micro.