Using the "singing resonators" will ask for experiments in your room, to devise an optimal singing resonators grid ( I had 10 sets of 5 or 6 buckets of varied width and depth) by trying different height levels,and orientation in relation to your speakers and ears, and inclination angles between the roof and the ceiling...This is fun and very gratifying...My best to all...
Important note: there is no degradation of the tonal quality of voices or instruments by using these resonators, if your room is already treated minimally or optimally for a natural timbre results, before introducing the singing resonators...The resonators will gives you a way to controls the imaging without degrading the timbre...
At the question, why this is so ?, with cheap metal buckets, I have no answer, being like most of you incredulous, when something almost free of cost to make is giving great results, especially when the results relatively compare probably to highly costly products...My ears listen without any understanding and my brain is the brain of a normal guy without background in any acoustical engineering whatsoever...
Important note: there is no degradation of the tonal quality of voices or instruments by using these resonators, if your room is already treated minimally or optimally for a natural timbre results, before introducing the singing resonators...The resonators will gives you a way to controls the imaging without degrading the timbre...
At the question, why this is so ?, with cheap metal buckets, I have no answer, being like most of you incredulous, when something almost free of cost to make is giving great results, especially when the results relatively compare probably to highly costly products...My ears listen without any understanding and my brain is the brain of a normal guy without background in any acoustical engineering whatsoever...