I prefer my second-hand Levinson no.36 (R-2R) DAC over my upsampling no.390S CDP.
The differences are subtle - but important in longer listening, for sure.
Most, if not all, older hi-end DACs will not have volume control, other than the 'bit stripping' kind. So not an option in my listening experience.
I got my ML36 for some $500 not too long ago, and for a ~25 year old item it sounds as good as my best sounding analogue - given the right source material.
However, like this item, older high-end R-2R DACs will of course not be able to decode higher than '20'/48.
I do not listen to streaming so no issue, as well recorded CDs sound fabulous and seriously challenge my pretty hi-end analogue sound (SME 10A tt, SME V tonearm, Ortofon Cadanza Black).
M. 🇿🇦
The differences are subtle - but important in longer listening, for sure.
Most, if not all, older hi-end DACs will not have volume control, other than the 'bit stripping' kind. So not an option in my listening experience.
I got my ML36 for some $500 not too long ago, and for a ~25 year old item it sounds as good as my best sounding analogue - given the right source material.
However, like this item, older high-end R-2R DACs will of course not be able to decode higher than '20'/48.
I do not listen to streaming so no issue, as well recorded CDs sound fabulous and seriously challenge my pretty hi-end analogue sound (SME 10A tt, SME V tonearm, Ortofon Cadanza Black).
M. 🇿🇦