Musetec (LKS) MH-DA005 DAC


Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."

melm

@melm I have no doubt that the 005 will take out the Tambaqui with extreme prejudice.

There is no way on earth that the Tambaqui would sound better than the 005 with $10k of cables attached.

When are Mola Mola bringing out the clown fish or suckerfish?

Maybe if Musetec named it's products after snakes or sharks they would get more press...lol.

Exactly the same as me, after my Wadia 781i shat the bed.

Many years with Jplay but I've had my Aurender N20 since about 6 months now and it truly is a different ball park from computer audio.

No doubt that the Aurrender N20 is a great music server but computer audio has also taken into different heights in the last yr or so. I am not sure how you powered your server but it IS the MOST critical aspect of what you can get out of it. If you can't power it well enough, you are far better off buying a commercial server.

 

@debjit_g I was just using an expensive laptop. Lots of people wouldn't believe me that I could run Windows Server 2016 on a laptop. With Jplay.

Then into Mutec MC-3 + USB reclocker and db Poweamp for ripping.

I understand there is a RPI I2s only without USB that's very inexpensive and very good.

Now I just push a button and I'm good to go.

@debjit_g I was just using an expensive laptop. Lots of people wouldn't believe me that I could run Windows Server 2016 on a laptop. With Jplay.
 

 

@lordmelton i actually suspected but you just confirmed. I can see why you would prefer the n20. A laptop is not going to do much. Running Windows and jplay is just one piece of the puzzle, choosing the right h/w and power supply is another. Anyway, I think we are digression from the main thread, so back to 005 for listening impressions:-)

I just read an interesting comparison between 005 and May.

 


I currently have both 005 and May. The May just edges it in most areas by a small margin, with the exception of layer separation, stage width and depth where the May is significantly better.

 

@debjit_g Lots of people will have opinions and there will be strengths and differences. I haven't heard the May neither the Terminator but by what I've seen online these two together with the 005 are all well deserved.

Other considerations will persist however. I chose the 005 because I wanted the very best value for money SINGLE box DAC. Same decision pointed me to the Aurender N20 instead of the N30. For several reasons I need to live in my condo presently and space is limited.

I know the Termy is a single box but a big one and it really needs the DDC too.

I'd love to check out the Pass Labs 3 box pre-amp but I'd need to move the wife out.

The philosophy that has always been set in stone in this thread by @melm and all the usual suspects is listen to the May and if you think it's better buy it. If not get the 005 and pocket the extra $3k.

An extra $3k spent on the 005 makes it difficult to beat otherwise you've turned the May into a $10k DAC. Fine if you want to spend that and have the space.