Musetec (LKS) MH-DA005 DAC

Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."


I don't see how that analogy applies. In audio, the finished recoding is all we get - a product of the musicians and engineers who put the thing together. If they were highly capable and a good match then we get lucky. If an inexperienced tech boosted the loudness by 20 db and applied a smiley faced EQ curve then we are irreversibly screwed. Do the two different strikes of the etching represent two different components trying to reproduce the identical recording? If so, then of course the "unique voicing" of one may form a particularly nice synergy with specific recordings. But I hold out that closer to reality will be more enjoyable over an entire music collection.





What persuaded me early on was the description of the excellent, and costly, parts used by the engineer/designer in producing the Musetec DAC. No one in their right mind, or so it seemed to me, was going to use this quality of parts but that each one made a noticeable improvement in the sound quality. I saw nothing like it in comparably priced products.

This thread, now with 110,000 views and 1300 posts, has plenty of testimonies from satisfied owners, each of whom seems to have considerable of experience in audio and with other DACs. And as you well know, the DAC has been compared carefully, and often favorably, to other far more expensive ones. Notwithstanding all that, like the owner of the print without the signature, what you are left with that would seem to keep you from enjoying this DAC to its fullest is fundamentally nothing more than a qualm. So be it!

As for "closer to reality," I can provide you with nothing better than this. If you can find a review of any DAC anywhere with this level of description against reality, I am ready to read it. I hold to the Harry Pearson dictum that if a component can reproduce classical music well, it can reproduce everything well. The full range of unamplified classical music in real space is the ultimate audio test.

I invite all followers of pseudoscience to view this object ... no measurement is reported ... so presumably it will have lower performance than Toppings


@batvac2 😂🤣😂🤣you make me laugh, are you a flat-earther?