Nice & interesting post.Of course, in all of the examples you mention people created music -- albeit using different instruments.
I have found, empirically, that the underlying objection many of these people have lies in seeing a computer as a possible musical instrument.
The digital provenance of the source signal, i.e. the original sound was made by "an operator" using software & electronic circuits to emulate (and transform) the sounds made by the musician interacting with a physical medium which generates a sound of its own accord, without the help of an external power source, software, etc
And the skills associated with virtuosity are totally different;
-- the traditional model has the musician and the instrument, and the idiosyncratic virtuosity separates (say) Heifetz from other violinists;
-- in the new model, the skillful player can emulate Heifetz' violin playing virtuosity
I have found, empirically, that the underlying objection many of these people have lies in seeing a computer as a possible musical instrument.
The digital provenance of the source signal, i.e. the original sound was made by "an operator" using software & electronic circuits to emulate (and transform) the sounds made by the musician interacting with a physical medium which generates a sound of its own accord, without the help of an external power source, software, etc
And the skills associated with virtuosity are totally different;
-- the traditional model has the musician and the instrument, and the idiosyncratic virtuosity separates (say) Heifetz from other violinists;
-- in the new model, the skillful player can emulate Heifetz' violin playing virtuosity