My battle with sibilance.


At the minimum sibilance is annoying to me. Its only present on a small percentage of my records. However today I wanted to see if I could improve it. The song in question is Men at Work's "Down Under". The cartridge is an Ortofon Cadenza Bronze retipped by Soundsmith. I went through a lot of the protocols for abating annoying sibilance.
1.My anti skate was not optimally set so I thought and I adjusted to less using a dead spot on a test record. I know some people don't agree with this. I tried Soundsmiths method but until I see a video I won't understand it.
2. I adjusted my VTA to at least 20 degrees. I realized it was off. It was set at 12-15 degrees. I know the Shibata stylus is sensitive to VTA.
3. I checked the VTF and it was set at the manufacturers suggestion at 2.5 grams. Which is dead in the middle of 2.3 to 2.7. I adjusted to 2.62. A lot of people think the higher range is optimum.
3. I made sure my stylus was absolutely clean.
Guess what? After all this, the sibilance was less but still there. As a check I listened to the song in streaming and it was in the recording!!! However not as bad as my record before my TT adjustments. So I'm happy now my TT might sound better on other recordings. Anyway I hope my fellow members here have had some success on sibilance and maybe some will benefit from what I did.

128x128blueranger
The sound you are referring to is almost certainly on the record, and nothing you can do will ever change that. Compare different copies of the same record and this is one of the differences you will likely find. The improvement you heard is minor improvement in cartridge setup. VTA by the way should always be set by ear. Also you do VTA last, as VTF affects VTA. So if you heard any improvement it was blind luck.

Forget sibilance. It is there, or not, and nothing much anyone can do but buy another copy. Which, this being the nature of vinyl, I can guarantee will have some other flaws. 

Instead, listen for the balance between the attack of notes and their fundamental tone or body, the balance between top and bottom end. Adjust VTA very, very slightly up or down. Either way. If you go up and the sound gets too thin then go down. If you go down and the sound gets too fat then go up. Whichever way you go, keep going one tiny bit at a time until it stops getting better. Then go back about half of whatever the last step was. Keep going back and forth until the sound locks in and you know you nailed it.

This is the way to do VTA. When done, you may be higher or lower than you were but it for sure will sound better because it is now set the way it should be, by how it sounds.
War of the World's is the Album I use to check Sibilance.
On Side One, Richard Burton does Three Narrations all with differing impaction from the Sibilance produced.
One of the Narrations is very detracting, to the point of being uncomfortable.
It is this Narration that I use to detect how changes I have made within the system can effect the levels of Sibilance.