My battle with sibilance.


At the minimum sibilance is annoying to me. Its only present on a small percentage of my records. However today I wanted to see if I could improve it. The song in question is Men at Work's "Down Under". The cartridge is an Ortofon Cadenza Bronze retipped by Soundsmith. I went through a lot of the protocols for abating annoying sibilance.
1.My anti skate was not optimally set so I thought and I adjusted to less using a dead spot on a test record. I know some people don't agree with this. I tried Soundsmiths method but until I see a video I won't understand it.
2. I adjusted my VTA to at least 20 degrees. I realized it was off. It was set at 12-15 degrees. I know the Shibata stylus is sensitive to VTA.
3. I checked the VTF and it was set at the manufacturers suggestion at 2.5 grams. Which is dead in the middle of 2.3 to 2.7. I adjusted to 2.62. A lot of people think the higher range is optimum.
3. I made sure my stylus was absolutely clean.
Guess what? After all this, the sibilance was less but still there. As a check I listened to the song in streaming and it was in the recording!!! However not as bad as my record before my TT adjustments. So I'm happy now my TT might sound better on other recordings. Anyway I hope my fellow members here have had some success on sibilance and maybe some will benefit from what I did.

128x128blueranger
Thanks Avanti1960. Great points well taken. My Ortofon Cadenza Bronze is probably due for a retip. Even though I have meticulously kept the stylus clean and my records pristine and 99 % of my records have very little pops it might need to go to a cartridge specialist. I’m sure I have 1500 plus hours but from what I’ve read the Shibita stylus lasts longer than most other designs. I do have 3 other cartridges that have about 1/2 their life left. I kept switching for different sounds. The Ortofon black and the dynavector 20x2 and Shire M97 with an SAS stylus upgrade all have their own sonic signitures. I just looked for a stylus replacement for the new Ortofon Black and it’s $799!!!!! Verses a retip on a MC around $450. However the Ortofon Black is suppose to be an upgrade from the original. Thanks again for everyone’s opinions. We have a great group of dedicated audiophiles here that we all can gain a wealth of knowledge from. Happy spinning, streaming or data retrieval from an aluminum disc.
Assuming that song is being played off their "Business as Usual" album (not greatest hits, etc.), "Down Under" looks to be track #3, right in the middle of the album, which might not be helping.

Normally, sibilance is noticed more on the inner tracks with IGD in full form.  But middle tracks can also be a problem since they are smack-dab between the null points, where tracking distortion is raised.
I too once battled sibilance.  It was a long hard road, but with the right therapy of repeated viewings of the Cindy Brady lisping episode of the Brady Bunch, I was able to come to grips with it and learn to live life with its existence.  I now sell seashells by the seashore.  Each sold separately thru September. Godspeed
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There seems to be a lot of confusion as to what sibilance is and means. It is not tracking distortion and it is not due to tonearm misalignment. It is due to the high sensitivity of our ears to frequencies in the 3-4 kHz range and systems or recordings that tend to emphasize these frequencies. It has nothing to do with distortion. You can eliminate any sibilance with a notch filter at 3500 Hz. You can not get rid of distortion this way. Sometimes all you have to do is reduce the volume a little. Rickie Lee Jones will always get sibilant if you push the volume to high on even the finest systems.