My Harbeth C7ES-3 story...


I’ve been using Zu Omen DW’s for the past 2yrs and really enjoy them.

every time I go to RMAF I find myself enjoying the Harbeth and Spendor speakers, so I started researching them, stumbled upon the “bbc midrange magic” touted and everything thing I read pointed to something I thought I’d like.

my first step was to grab a pair of used Spendor S3/5’s. My thinking was if I enjoyed them I would then look for a bigger style. I was first looking at the Spendor A4 and A6R’s and as I kept reading I ran across the Harbeths. In particular the C7ES3 (Compact 7’s).

At this point I had researched like crazy and had my eye on a pair of used Spendor A6R’s. It was really hard to find used C7’s so I was leaning towards the Spendors.

I had a work trip coming up to Toronto and one day the week before as I’ve been scouring the audio marts a pair of C7’s popped up, and low and behold they were in Toronto!! 1 mile from the hotel I was staying. So I pinged the guy and we started talking. Told him I’ll be in town etc. so I setup a time to go over to his house. They were mint condition with original boxes, consecutive serials etc so I grabbed them! Best part the dollar is strong against Canadian so ended up getting them for 50% off new.

Another great part is the boxes are not too big and was able to check them in on the plane, so shipped them back with me for $60.

Got them home and now I have them setup on some Skylans.

my biggest fear was the low end was not going to be full enough but boy was I wrong. First impressions from just 1hr of listening... the Zu’s will be hitting the market. Everyone says the Zu’s are very forward which I was fine with and they have their place, but after hearing the magic sound of the Harbeths it suits my style better.

I’ll follow up with more impressions later.
128x128kray
Good discussion. And timely for me as I’m in the market for new speakers too.  Looking at Harbeth, Spendor, and Magnepan 3.7s as well. One issue is that all of the speakers I’m looking at want to be three or four feet out into the listening space and that’s sometimes hard to achieve.

You mentioned Canada which was interesting as they seem to be getting the equivalent price to what you would pay in the U.K. as opposed to a pretty stiff mark up in the States. For example, last I looked the 30.2s are $6,950 in the US and $6,400 CAD in Canada--at current rate $4,840 US!


I wonder why US import is getting such jacked up pricing?

It’s the same with high-end Japanese amps: the US dealer prices are sky-high compared to overseas (Europe even). My guess is that the dollar remains strong and especially the US economy remains strong. This results in tremendous ’effective demand’ domestically which means that dealers can take profits.

Buying in Canada is tempting, though when you cross the border there can sometimes be dues to pay to the customs agent. You don’t want to be caught not declaring something.



Cant go wrong with either amp.  Using my Belles Aria with Vandersteen VLR speakers.  Bryston BDP-pi streamer and Mytek Liberty dac.  Audioquest GO-4 speaker cables and Audioquest interconnects.  Sound is spacious and accurate.
@gcknapp agree. Think it will come down to which one I feel more fond of just aesthetically etc. will have a more thorough listening session this weekend. 
@archguy yes the Harbeths sound great out in the room. I also want to test moving them closer to back wall just to experience the difference. But I prefer near field listening so after testing that I’m sure I’ll move them back into the room
Hi kray,
  This is Tea for One from AK. Imaging wise,how do the little Spendors fair against the Harbeths?
@rocray will test that and let you know. 
Haven’t hooked them up in a while with all the listening testing I’ve been doing with the Harbeths.