2. cables
  3. 153266-111696

My stereo receiver is a little too bright. Can a cable help me out?

I just had my vintage Pioneer SX-1050 refurbished.  I had a severe case of sticker shock when presented with the bill - oops!!  Which unfortunately pretty much forces me to use it. 

I will say It is sounding very powerful which is no big surprise because there is a lot of horsepower under the hood.  But the audio impression is that it’s also a little too bright.  The only way I know to tame brightness is with the right interconnects.  But I’m not experienced in that area.  Recommendations would be most welcome.


It’s probably important to know how I am using  the Pioneer SX-1050.  It is responsible for all audio in my TV system.  My choice of music is almost exclusively opera and classical.  

 I send the HDMI signal from my four sources ( TV-DVR, OPPO DVD, ROKU streamer and Pioneer Elite Laser Disc Player ) to my AVR, an ARCAM SR-250, and I send the respective analog audio signals to the Pioneer.  I am into opera and classical music and I didn’t think my ARCAM AVR sounded as good as I wanted it to, even though it’s ideally  suited to my needs, a two-channel product touted for its exceptional audio.  The audio is good but definitely not great.  Prior to deciding to refurbish it I had paired the Pioneer with a Musical Fidelity A3cr Preamp, using the Pioneer just as an amplifier, and I was getting very good audio that way.  But one of the goals of the refurbishment project was to feature the Pioneer and eliminate the musical influence of the Musical Fidelity preamp.   And now, after spending so much,  I wanted to hear how my now very expensive Pioneer sounded, so I pulled the Musical Fidelity Pre and attached my sources directly to the Pioneer.  Currently all the interconnects are Blue Jeans Cable.  Obviously I can’t spend huge amounts replacing cables for all four sources, so the DVD is priority.
128x128echolane
austinstereo's avatar
austinstereo
61 posts
 
@teo_audio is right.  You need to give it time to break in.  It will take around 50 to 100 hours of operation to fully break in.  Secondly, a receiver with 40 year old caps typically sounds pretty dark.  So there is an added contrast.  Our shop has a lot of experience restoring these old gems.  We however, tell the customer the cost before even starting work and let them make the decision before spending any money. 

If you are still unhappy with the performance after break in, the good news is that a restored SX-1050 is worth around $1000.  In contrast, a used AVR will drop in value faster than anything.  


almarg's avatar
Ag insider logo xs@2x
almarg
9,670 posts
 
Lowrider57 12-23-2019
Once again, use the tone controls and put more hours on the Pioneer.... I wouldn't get caught up in buying cables and new components. Give it some more time.

Echolane 12-23-2019
I think the most sensible thing to do  is to have some patience and decide whether to move on or not after a couple hundred hours of break in.  Believe it or not, now, only 24 hours later, I think it sounds quite a bit better. The rawness is gone, or if not gone, considerably tamed.

Using the Pioneer’s tone controls is another easy fix.  

+1. There's no reason to do anything else at this point.

Good luck. Regards,
-- Al


assetmgrsc
58 posts
 
KISS!
As others have said, try your tone controls. Start with a little bit up on the base and listen for a few minutes, then add a little bit down on the treble. Listen for ten minutes and walk away. Come back and make an adjustment.  Make small adjustments in this fashion for a week, then either live with it or plan a replacement.  Have some confidence in your own judgement  -- you can do this.  Good luck.
pprocter
32 posts
 
Agree, let it run in. If that's not enough, try moving the speakers so they point more away from your ears to the outside. Toe them out, if you know what I mean. Tweeters can be very bright on axis but fall off more than other drivers as you move off axis. Much more can be done cheaply by moving your speakers than any other tweak. Trust your ears!

audiozenology
362 posts
 
Perhaps in a drag-race or simple oval, with drag-race being watts into 8 ohms, and simple oval, being THD on a sine wave, then I would agree with you. Put them on a road course (real music), and that "old" Camaro or Corvette is hopelessly outclassed no matter the engine upgrade or what tires you put on it. Only way it competes is with effectively a new chassis under the old body (and even then it needs aerodynamics upgrades), so really it is not an "old" Camaro or Corvette any more is it?
Like a old Camaro or corvette, etc... being refitted to take on a modern carbon fiber bodied racing F1 Ferrari, on the track.... and be dead even and..in some minds... even win. Imagine that.

The idea of the new circuit and so on being better, exists as companies have to sell you the new in order to be alive and exist, so expect them to convince you that all is new all the time --- when in fact it is not. Not at all.


While there is truth to this, these receivers are from a period where IM distortion was poorly understood, hence why later products like the NAD3020 or even the Sansui integrated mentioned above are better.

(link is for the image of a ’properly’ modded out NAD3120, which, when finalized [finally finished], might [and generally will] exceed the sonic qualities that most seek to experience from a modern $5k integrated.)

https://www.canuckaudiomart.com/forum/viewtopic.php?f=22&t=45215&p=708943&hilit=nad+3120...


A single set out 3055/2955 output transistor places some inherent limitations w.r.t. what loading this will work best on. Those same parts are still available, likely better quality or at least more consistent due to modern process controls.

Those over-priced "audio" electrolytic power supply capacitors are certainly great marketing by the likes of Nichicon and others. Literally sell themselves, as some people are convinced they are "better", and it becomes a self sustaining market, no actual specifications needed, just some words on a marketing sheet. But better than what is the question?  Better than a 10,000 hour, 105C, modern capacitor with high ripple current and low ESR (and lower cost)? .... Weird that some of these high end audio capacitors have audio specs similar to a few generation back power supply caps (but with poorer rated life).
More to discover