I say my MSB Plat DAC upsamples 4x because it upsamples everything to either 176khz ($ * 44.1) or 192khz (4 * 48.1). If you include the 24 bit upsampling, I would guess that is where the other multiple comes in.
You are right about it not re-clocking the data.
However, I do know there are lesser and greater re-clockers. And I doubt the Benchmark has the best re-clocker of data out there (Ultraclock?). My OffRamp Turbo2 coming out of the computer does re-clock the data using a Superclock4 (one step below Ultraclock).
Interestingly, I would guess the biggest differences people hear with transports that do not re-clock the data better than the Benchmark is probably in the differences in the different digital cables they use. I have heard big differences in digital cables... I cannot explain why these differences occur per se... I only can observe them. I am glad I do not have to deal with that anymore. Although people have touted the differences in USB cables, and I did recently move to a more expensive USB cable (Wireworld's Ultraviolet 5), and I did get some sonic improvements.
I still think that re-clocking is not the magic bullet that can make all transports sound the same. Error correction is important as well. And that is where most transports fail when compared to a music server. Exact Audio Copy has amazing error correction in it, and this just cannot be duplicated on the fly with a traditional CD transport.
Keith
You are right about it not re-clocking the data.
However, I do know there are lesser and greater re-clockers. And I doubt the Benchmark has the best re-clocker of data out there (Ultraclock?). My OffRamp Turbo2 coming out of the computer does re-clock the data using a Superclock4 (one step below Ultraclock).
Interestingly, I would guess the biggest differences people hear with transports that do not re-clock the data better than the Benchmark is probably in the differences in the different digital cables they use. I have heard big differences in digital cables... I cannot explain why these differences occur per se... I only can observe them. I am glad I do not have to deal with that anymore. Although people have touted the differences in USB cables, and I did recently move to a more expensive USB cable (Wireworld's Ultraviolet 5), and I did get some sonic improvements.
I still think that re-clocking is not the magic bullet that can make all transports sound the same. Error correction is important as well. And that is where most transports fail when compared to a music server. Exact Audio Copy has amazing error correction in it, and this just cannot be duplicated on the fly with a traditional CD transport.
Keith