Scott,
For what its worth I third the Porterports, from Albert. Read my review here: http://forum.audiogon.com/cgi-bin/fr.pl?raccs&1065488253&openfrom&1&4#1
The Flavor 4 is not a bad way to go read my review here:
http://forum.audiogon.com/cgi-bin/fr.pl?rcabl&1068406189&openfrom&1&4#1
I totally agree with Rushton regarding I always separate the digital from everything else.
I did some extensive auditioning with several high end line conditioners in my systems and another audiophiles high end system. We also both owned the original Hydra and had dedicated 10awg 20 amp runs. We found that the line conditioners we tried actually limited the dynamics of sound and detail. In other words the music sounded better when the components were plugged directly into a high end outlet on a dedicated circuit (excluding the Clear Image T-4). This may be system dependent or area dependent.
Finally take a look at my power filtration system in my systems that I have posted on Audiogon, it will give you another slightly different perspective.
For what its worth I third the Porterports, from Albert. Read my review here: http://forum.audiogon.com/cgi-bin/fr.pl?raccs&1065488253&openfrom&1&4#1
The Flavor 4 is not a bad way to go read my review here:
http://forum.audiogon.com/cgi-bin/fr.pl?rcabl&1068406189&openfrom&1&4#1
I totally agree with Rushton regarding I always separate the digital from everything else.
I did some extensive auditioning with several high end line conditioners in my systems and another audiophiles high end system. We also both owned the original Hydra and had dedicated 10awg 20 amp runs. We found that the line conditioners we tried actually limited the dynamics of sound and detail. In other words the music sounded better when the components were plugged directly into a high end outlet on a dedicated circuit (excluding the Clear Image T-4). This may be system dependent or area dependent.
Finally take a look at my power filtration system in my systems that I have posted on Audiogon, it will give you another slightly different perspective.