Preamp Deal of the Century

As I said before after one channel went out and I had John Tucker repair it, he greatly modified my Syrah. One of the things we did was to replace the inexpensive pot with a stepped attenuator. Since he also made the unit parafeed, put a constant current source on the output tube, and switched to 6N1P from the 6SN7, however, I can tell you little about the benefits of each mod.

T bone - the remote operates smoothly. Mick uses an Alps pot for the remote controlled preamps.

I fully recommend against having your preamp customized - beyond the remote.

Most every "option" I asked for had a problem. My first Chardonnay preamp was a a dog - Mick realized this and replaced it.

Options I asked for:

A single chassis version. - Mick tried and then 1/2 way through couldn't do it.

XLR outputs - Mick used the wrong connectors and a makeshift (engineered on the fly) transformer output that did nothing but make LOUD hum.

Theater by-pass. After explaing to Mick how this should work, he came up with his own solution and the results were less than optimal. To date, I don't know if the feature works or doesn't.

Remote. Mine increases in volume when you press the down button and lowers with the up button. Silly and quirky but annoying none-the-less.

Subwoofer output - works great but its a standard feature if you consider the fact that Supratek's come with two sets of outputs - one can be used for a sub.

T-bone,
It is a smooth turning volume control. They are all parafeed now.

Just get the standard.....it is what it is, not a Levinson. That's the lesson. Bwhite, how is the phono going? Etthan's too? Haven't heard either of you say, so thought it might have been disappointing over long haul, although hope not.

Well, it's been 3 weeks with my Cortese and I am torn between the most wonderful music in my listening room that I can remember (over 30+ yrs) and noisy tube problems. I've got one of Mick's latest Cortese preamps. It was delivered with the adjustable output gain on the back for matching various amp inputs, XLR/RCA's (I use RCA's only), remote control volume (which works perfectly and is a blessing for this old body!), and what Mick states is his latest choice in a tube configuration for the line stage amplification section (1-6SN7 and 1-12B4A per channel). I've now gone through 3 sets of the 12B4A's and finally got a set that won't sit there and "spit" at me. Now one the 6SN7's is doing a "whistling" act. I came from all solid state (Spectral) system and I'm accustomed to quiet. But then again, I've never had music reproduction like this pre gives to me, not to mention that it has reintroduced me to VINYL which in itself is most rewarding. I've ordered a complete new tube set-up in hopes for a reprive from the noise. HELP