Frogman, thanks for the input about using the ST-70 with a Stax Energizer, which of course adds confidence that Mabonn would be ok using his with a tube amp.
Regarding the ED-1, my perceptions have been exactly as you describe. Its most notable effect IME has been to mitigate the tendency of the Lambda Pro/SRM-1Mk-2 combination to sound thin and lacking in harmonic richness, most notably in the upper midrange and lower treble, together with excessive brightness further up in the treble region.
It accomplishes that, however, at the expense of some sacrifice in transparency and definition. How that tradeoff nets out has seemed to me to be recording dependent. And more often than not I had found myself switching the ED-1's equalization off, especially with recordings that are well engineered.
In any event, that mitigation no longer seems necessary now that I'm using the SRM-T1, and so I've removed the ED-1 from my system.
A further point that seems likely to be relevant to Mabonn's situation: Ever since I purchased the Lambda Pro's ca. 1986, and continuing to the present day, I've consistently noticed that if they are not used regularly, and especially if they are not used at all for a period of say a few weeks, they need to be given a good workout to again sound their best. By "good workout" I mean playing them at very high volume (louder than would be safe if they were on your head) for two or three hours or so. Otherwise the negative tendencies I mentioned in the second paragraph of this post tend to become considerably more pronounced.
Best regards,
-- Al
Regarding the ED-1, my perceptions have been exactly as you describe. Its most notable effect IME has been to mitigate the tendency of the Lambda Pro/SRM-1Mk-2 combination to sound thin and lacking in harmonic richness, most notably in the upper midrange and lower treble, together with excessive brightness further up in the treble region.
It accomplishes that, however, at the expense of some sacrifice in transparency and definition. How that tradeoff nets out has seemed to me to be recording dependent. And more often than not I had found myself switching the ED-1's equalization off, especially with recordings that are well engineered.
In any event, that mitigation no longer seems necessary now that I'm using the SRM-T1, and so I've removed the ED-1 from my system.
A further point that seems likely to be relevant to Mabonn's situation: Ever since I purchased the Lambda Pro's ca. 1986, and continuing to the present day, I've consistently noticed that if they are not used regularly, and especially if they are not used at all for a period of say a few weeks, they need to be given a good workout to again sound their best. By "good workout" I mean playing them at very high volume (louder than would be safe if they were on your head) for two or three hours or so. Otherwise the negative tendencies I mentioned in the second paragraph of this post tend to become considerably more pronounced.
Best regards,
-- Al