Three points.
1. I have made a lot of changes in my vinyl playback chain since getting the N801s, and each change has been starkly revealed. The most recent is the Walker Reference Phono Amp, Second Edition, and this has opened up and "naturalized" the treble to a striking degree.
2. Nevertheless, the tweeter has never been as well integrated and artifact-free as the seamless treble/midrange ESL panel balance of my InnerSound Eros. The tweeter sounds cleanest with top quality analog and gets smeared, "dirtier," and less complex with CD redbook.
3. The tweeter is padded down by 5 dB with resistors. It may be possible to work with the distributor to change the tweeter resistors to pad this down a dB or two further. Philip O'Hanlon had the distributor remove/bypass the attenuator resistors from his N801 because he wasn't getting enough treble in his very large listening room. Different strokes...go figure.
1. I have made a lot of changes in my vinyl playback chain since getting the N801s, and each change has been starkly revealed. The most recent is the Walker Reference Phono Amp, Second Edition, and this has opened up and "naturalized" the treble to a striking degree.
2. Nevertheless, the tweeter has never been as well integrated and artifact-free as the seamless treble/midrange ESL panel balance of my InnerSound Eros. The tweeter sounds cleanest with top quality analog and gets smeared, "dirtier," and less complex with CD redbook.
3. The tweeter is padded down by 5 dB with resistors. It may be possible to work with the distributor to change the tweeter resistors to pad this down a dB or two further. Philip O'Hanlon had the distributor remove/bypass the attenuator resistors from his N801 because he wasn't getting enough treble in his very large listening room. Different strokes...go figure.