Rtilden: Thank you for your reply, I had a few "glasses" and in retrospect wasn't as articulate as I wanted to be. : ) I wish I could agree with you, but there's a place we can meet in middle, but more on that in a moment. IMHO, Wild doesn't stop to smell one rose in the 2nd. Moreover: During the Rhapsody he blasts through the 18th variation so fast that even the strings--upon their entry-- have to take a moment to catch up.
That said, I'm glad I didn't close my mind to Wild: I've just acquainted myself with his Chopin 1st PC and love his ultra-sensitive handling of those two quiet poetic stretches in the 1st mov't. Wild is also more indulgent than most (!) in the more ecstatic outbursts of the Rach 3rd. Based upon his 2nd, who woulda thunk it?
No worries though, having heard Rachmaninoff's own performance of his 2nd (with Ormandy) on RCA, you and Wild have his blessing. I'm the odd man out. : )
That said, I'm glad I didn't close my mind to Wild: I've just acquainted myself with his Chopin 1st PC and love his ultra-sensitive handling of those two quiet poetic stretches in the 1st mov't. Wild is also more indulgent than most (!) in the more ecstatic outbursts of the Rach 3rd. Based upon his 2nd, who woulda thunk it?
No worries though, having heard Rachmaninoff's own performance of his 2nd (with Ormandy) on RCA, you and Wild have his blessing. I'm the odd man out. : )