Reel to Reel

Hi Dertonarm,

Do you know something?! :-) Actually, I'm very excited about acquiring an RTR for location recording - I know...digital is astoundingly more convenient.

Regrettably, the C-37 may be just a bit too cumbersome for the field - Hmm...perhaps, another RTR for the home?:-)

Vbr,
Sam

p.s. Kipdent, how're you doing?

The C-37 was never intended to be a field machine-it was designed to be a studio warhorse. I will certainly be interested in hearing your recordings if you want to share the wealth.

C1ferrari--I'm doing, fine, thanks! It looks like you are really enjoying your R2R, too.

Mepearson--All the prerecorded 7.5 ips tapes I own are from the early days (1950s) and are 2-track only. As I said, they are very, very nice, but not as nice as either the TP tapes or other 15 ips tapes I have lucked into. Sadly (and no doubt in part because of the resurgence in interest in R2R that forums like Audiogon have ignited), the "large library" of these early 2-track prerecorded tapes are soaring in price. Some I have tracked on ebay recently have fetched over $300 each, a huge increase from six months ago. My original post had this "value" issue in mind--I think a newly released, 15 ips / IEC tape from the Tape Project is a far better value at $300 than a lovely RCA 7.5 ips 2-track from the 1950s that costs nearly the same. But, as you said, our opinions are debatable!

Hello Mark!

Thanks for the expression of interest in my future recordings :-) Should anything of consideration develop, I'll share them.

Vbr,
Sam

A tape machine that is a bit of a sleeper is the Magnacord. They were made in 7 1/2 and 15 ips versions, although seems to me the 7 1/2 ips (with 3 3/4 as the slow speed) is a bit harder to find. There was the 724 and 1024; like any older machine they will need to be refurbished, but are capable of exceptional quality and are useful as field recorders, as its actually possible to pick them up with one hand.

They have a beefy chassis and 3-motor design, not unlike a compact Ampex 350 transport, but with the all-tube electronics built into the same case. If you have the input transformers, a balanced input for microphone is available. I've refurbished a few of these over the years and they will take a Studer A-80 to the mat with ease. While not as feature-laden, the transport is actually more solid and the tube electronics simply out-perform the A-80 (BTW, the A-80 is no slouch and is one of the better transistor units I've heard, despite its clunky appearance; we have one in our studio that we use quite a lot).