Hey Bob, wait'll you hear those horns with the Close-N'-Play turntable....talk about heaven!!
IMO, Bob's advice regarding the LaScala's themselves is excellent by the way. Obviously we have very different opinions on amplification. I can't say I've heard that many examples of SS + horns, but every one I've heard (at least half a dozen different combinations) sounded harsh and unlistenable to my ears. The only one I tried that was a mosfet solution was a B&K with Forte II's which was awful! The B&K sounded great with Spica's, and the Forte's with tubes, but together they were horrible. No air, no atmosphere, just loud, brash noise. Perhaps I need to hear Bob's setup, as the rest of his advice I'd agree with completely. Or we could just have completely different preferences. Obviously I have no such problems with dealing with tubes/tube-issues or I wouldn't use them either, but Bob's biased observations regarding tubes when combined with 104db efficiency horns are not completely out of line, and offer a counterpoint to my own preferences. Bob, I also wanted to combine the musicality of my AA's with the pinpoint imaging of Al's crossover somehow. I'm thinking that perhaps an upgrade to the AA's caps might go in that direction. After all my A/B testing I sure don't want to butcher my AA's. On my system, to my ears, they just sound much more musical than Al's. I definitely would not want to live with the ALK's as they sound in my rig. Pretty amazing to look at the two as I would NEVER have guessed that, nor by reading the many rave reviews for Al's product on the Klipsch forum site. They must work well for some folks. Al's are like works of art in more ways than one. Ultimately I'd rather look at them than listen to them. Have you tried putting better wires in there yet? I'd be curious to hear about whatever experiences you have had with tweaking either.
IMO, Bob's advice regarding the LaScala's themselves is excellent by the way. Obviously we have very different opinions on amplification. I can't say I've heard that many examples of SS + horns, but every one I've heard (at least half a dozen different combinations) sounded harsh and unlistenable to my ears. The only one I tried that was a mosfet solution was a B&K with Forte II's which was awful! The B&K sounded great with Spica's, and the Forte's with tubes, but together they were horrible. No air, no atmosphere, just loud, brash noise. Perhaps I need to hear Bob's setup, as the rest of his advice I'd agree with completely. Or we could just have completely different preferences. Obviously I have no such problems with dealing with tubes/tube-issues or I wouldn't use them either, but Bob's biased observations regarding tubes when combined with 104db efficiency horns are not completely out of line, and offer a counterpoint to my own preferences. Bob, I also wanted to combine the musicality of my AA's with the pinpoint imaging of Al's crossover somehow. I'm thinking that perhaps an upgrade to the AA's caps might go in that direction. After all my A/B testing I sure don't want to butcher my AA's. On my system, to my ears, they just sound much more musical than Al's. I definitely would not want to live with the ALK's as they sound in my rig. Pretty amazing to look at the two as I would NEVER have guessed that, nor by reading the many rave reviews for Al's product on the Klipsch forum site. They must work well for some folks. Al's are like works of art in more ways than one. Ultimately I'd rather look at them than listen to them. Have you tried putting better wires in there yet? I'd be curious to hear about whatever experiences you have had with tweaking either.