Thanks, I ask because it seems the 27.5 (and 23.5) are desired amps, yet the 331 has more mixed feelings. (As you say, if cash wasn't an issue, it would seem the 334 would make you quite happy.)
Review: Levinson No-331 Amplifier
Category: Amplifiers
I mostly listen to small ensemble jazz, jazz vocals, pop and classic rock.
I test equipment mostly using analog sources. ie:vinyl. Classical music and female vocals are to me the best music for equipment analysis.
What I look for in evaluating equipment is inner detail, proper image placement and most of all musicality and "sweetness" to my ears. When everything is right, my ears are buzzing with gratification. I hate overly bright sound. also veiled sound that sounds muffled and unclear.
The levinson 331 has been in my system for only a few months and I am still evaluating it with my Apogee Caliper Signatures which I love. I had a Audio Research D400 200 watt per channel amp prior to my purchase of the Levinson, a 100 watt per channel amp.
The 331 has a much different sound as compared to the AR.
I would describe it as less up front, a little bit darker, with better image front to back imaging. Also, when I first hooked it up, it had a sweetness to the highs that I would describe as "silvery" which is characteristic of most Levinson amps that I've listened to in the past. I really like this effect but I am not sure if it is accurate. Also the upper to mid bass is a lot more detailed and controlled compared to my old amp. This I like a lot! The Levinson amp mates very well with my tube preamp, an Audio Research LS16. Tube preamps mate with SS amps very well.
If I had the cash, I would go with a higher powered Levinson amp. The Apogees will distort when the music is pumped up to really high levels. I think they are crying out for more power.
Associated gear
Preamp: Audio Research LS16
Speakers: Apogee Caliper Signature
Analog: Oracle Delphi/Linn Ittok/Grado Reference
CD: JVC 1010 and Audio Alchemy 3.0/2.0
SACD: Sony
Similar products
Audio Research D400 solid state
Threshold S300
Levinson 27.5
I mostly listen to small ensemble jazz, jazz vocals, pop and classic rock.
I test equipment mostly using analog sources. ie:vinyl. Classical music and female vocals are to me the best music for equipment analysis.
What I look for in evaluating equipment is inner detail, proper image placement and most of all musicality and "sweetness" to my ears. When everything is right, my ears are buzzing with gratification. I hate overly bright sound. also veiled sound that sounds muffled and unclear.
The levinson 331 has been in my system for only a few months and I am still evaluating it with my Apogee Caliper Signatures which I love. I had a Audio Research D400 200 watt per channel amp prior to my purchase of the Levinson, a 100 watt per channel amp.
The 331 has a much different sound as compared to the AR.
I would describe it as less up front, a little bit darker, with better image front to back imaging. Also, when I first hooked it up, it had a sweetness to the highs that I would describe as "silvery" which is characteristic of most Levinson amps that I've listened to in the past. I really like this effect but I am not sure if it is accurate. Also the upper to mid bass is a lot more detailed and controlled compared to my old amp. This I like a lot! The Levinson amp mates very well with my tube preamp, an Audio Research LS16. Tube preamps mate with SS amps very well.
If I had the cash, I would go with a higher powered Levinson amp. The Apogees will distort when the music is pumped up to really high levels. I think they are crying out for more power.
Associated gear
Preamp: Audio Research LS16
Speakers: Apogee Caliper Signature
Analog: Oracle Delphi/Linn Ittok/Grado Reference
CD: JVC 1010 and Audio Alchemy 3.0/2.0
SACD: Sony
Similar products
Audio Research D400 solid state
Threshold S300
Levinson 27.5
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- 7 posts total
- 7 posts total