yes by all means means replace some caps and resistors, but get the schematic and only replace those that are active in producing sound, you'll save some money that way...there are a lot of caps and resistors that are rarely/never used...give it a try, I think you'll be amazed...what are you using now?
Review: Marantz 7t Preamplifier
Category: Preamps
Want a surprise? Listen to a Marantz 7T preamp. I have for years been pining away for a 7C to go with my Klipschorns and rebuilt/upgraded Dynaco Mk IV mono blocks, however they were priced out of my reach. But one day I was reading Stereophile and they had an article with the designer of the 7C, he mentioned that he was rather satisfied with his first SS designs (the 7T preamp and model 15 amplifier) and that with some upgrading (mostly swapping out old caps and low quality resisitors) they could be made to sound quite like a 7C...well that was all I needed to hear, I could take no more...I grabbed a 7T at an EBay auction (they always go for less than $500) and sent it to have its caps and resistors swapped out for new, better qulaity units. After a rough two weeks impatiently waiting for the unit to arrive I finally got it out of customs (I live in Central America) and hooked up, replacing a Creek passive preamp I had inserted in the meantime. I really was not prepared for what I heard...Lushness, an expanded and deepened soundstage, a the while maintaining great clarity of sound. It gave me the sound I had reserved, in my mind's eye/ear, for the 7C or any other top quality tube preamp. It seemed as transparent as the Creek passive preamp (a treatise which I tested, unscientifically, by swapping the two in and out a few times) but did impart a warmth to the midrange, expand the soundstage and seemed to "light from within"(forgive the borrowed term but it really fit what I felt I heard) my music. No test equipment, so I cannot tell you if it rolled off the highs or changed the response curve significantly, however to my ears it still had great rendition of cymbals and piano notes and I felt less fatigue while listening to my cd collection (which contains many of those terrible early rock releases so hard to listen to if your components don't cooperate). Best of all it is a full featured preamp with a myriad of switching and tone control options, and even has varied curves available for the phono section if you have older LPs. All in all I am now convinced that the pruchase of a 7C is a waste of money. If you have the scratch, perhaps as a collectors item I would justify it, but if you are like me; looking to vintage audio components for that "golden age of audio" sound but with a modern level of performance then a re-furbished 7T is just the thing, great sound, low price. Try it!
Associated gear
Click to view my Virtual System
Similar products
Harmon and Kardon, Creek
Want a surprise? Listen to a Marantz 7T preamp. I have for years been pining away for a 7C to go with my Klipschorns and rebuilt/upgraded Dynaco Mk IV mono blocks, however they were priced out of my reach. But one day I was reading Stereophile and they had an article with the designer of the 7C, he mentioned that he was rather satisfied with his first SS designs (the 7T preamp and model 15 amplifier) and that with some upgrading (mostly swapping out old caps and low quality resisitors) they could be made to sound quite like a 7C...well that was all I needed to hear, I could take no more...I grabbed a 7T at an EBay auction (they always go for less than $500) and sent it to have its caps and resistors swapped out for new, better qulaity units. After a rough two weeks impatiently waiting for the unit to arrive I finally got it out of customs (I live in Central America) and hooked up, replacing a Creek passive preamp I had inserted in the meantime. I really was not prepared for what I heard...Lushness, an expanded and deepened soundstage, a the while maintaining great clarity of sound. It gave me the sound I had reserved, in my mind's eye/ear, for the 7C or any other top quality tube preamp. It seemed as transparent as the Creek passive preamp (a treatise which I tested, unscientifically, by swapping the two in and out a few times) but did impart a warmth to the midrange, expand the soundstage and seemed to "light from within"(forgive the borrowed term but it really fit what I felt I heard) my music. No test equipment, so I cannot tell you if it rolled off the highs or changed the response curve significantly, however to my ears it still had great rendition of cymbals and piano notes and I felt less fatigue while listening to my cd collection (which contains many of those terrible early rock releases so hard to listen to if your components don't cooperate). Best of all it is a full featured preamp with a myriad of switching and tone control options, and even has varied curves available for the phono section if you have older LPs. All in all I am now convinced that the pruchase of a 7C is a waste of money. If you have the scratch, perhaps as a collectors item I would justify it, but if you are like me; looking to vintage audio components for that "golden age of audio" sound but with a modern level of performance then a re-furbished 7T is just the thing, great sound, low price. Try it!
Associated gear
Click to view my Virtual System
Similar products
Harmon and Kardon, Creek
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- 6 posts total
- 6 posts total