"We also were surprised,since you seemed to love the Ex Ref,that you didn't build a slightly smaller room to allow those speakers to pressurize it better."
Just so it is clear JTinn's description of how Mike's room interacts with the Kharma Speakers and the bass has nothing to do with the Kharma's ability to produce bass, nor is it remotely correct. Infact if 25hz cannot pressurize the room how can smaller wavelengths pressurize the room? You would think someone with 45 years experience would understand basic room acoustics.
His bass problem currently has to do with his amplification choices and the fact that to make a room the size of Mike's room flat in the bass something has to be done with the lowest frequencies. After seeing the specs on the Dartzeel it is not a good match for the Kharma's for making bass. And the perceived dynamics likely has something to do with the overshoot that creeps up in the square wave as the amplifier is pressed, which explains why JA only measured the square wave at 55 watts. To drive those small Etons effectively more power is needed.
Just so it is clear JTinn's description of how Mike's room interacts with the Kharma Speakers and the bass has nothing to do with the Kharma's ability to produce bass, nor is it remotely correct. Infact if 25hz cannot pressurize the room how can smaller wavelengths pressurize the room? You would think someone with 45 years experience would understand basic room acoustics.
His bass problem currently has to do with his amplification choices and the fact that to make a room the size of Mike's room flat in the bass something has to be done with the lowest frequencies. After seeing the specs on the Dartzeel it is not a good match for the Kharma's for making bass. And the perceived dynamics likely has something to do with the overshoot that creeps up in the square wave as the amplifier is pressed, which explains why JA only measured the square wave at 55 watts. To drive those small Etons effectively more power is needed.