Review: Quad U S A ESL-989 Speaker

Category: Speakers

I have owned the QUAD ESL-989 for over a year now, and will not think of giving it up for any other speaker. They suit my musical tastes perfectly, as I listen solely to classical music, and particularly enjoy vocal music, especially Bach's cantatas.

The most important aspects of sound to me are precise definition, and reproduction, and the QUAD speakers do this nearly perfectly. They allow pinpoint resolution of each component of the orchestra, but I cannot solely attribute this to the speakers alone, as my amplifier, pre-amplifier, and SACD player also have a significant role to play in musical reproduction.

As I mentioned, the sound stage is unparalleled. The upper- and mid-range frequencies are flawless. The bass (which I only hear when listening to the organ or cello) is precise and causes my body to resonate, as well as the furniture that I sit on, but oddly enough it does not shake the floor, so I must say that this would be the only weak point of the speakers.

I have heard speakers that cost 30 times the price of the QUAD's, and they don't come close to matching the precise sound reproduction. I don't think I'll ever own any other pair of speakers.

Associated gear
Cardas Golden Reference speaker cables
What are your electronics and how much power are you driving them with.

I have an almost complete QUAD system: I am driving the speakers with the QUAD II-forty monoblocks. My pre- is the QUAD QC-24, and my source is usually the Musical Fidelity Tri-Vista CD/SACD player.

One weakness that I regularly notice is that at high volumes and high frequencies (i.e. loud soprano), I will hear some distortion, but my amps and pre- are near the speakers, as a matter of necessity, because of limited space, and I suspect that this fault is due to feedback because of my mediocre setup.
"I have heard speakers that cost 30 times the price of the QUAD's, and they don't come close to matching the precise sound reproduction."

OK let's see 30 X $8000 = $240,000

What $240,000 speakers were blown away by the quads?? come on. You lose your credibility and it makes the whole review supsect.
Doesn't mark my credibility down: it makes one question the validity of spending more than 10k on a pair of speakers. What does that extra 200k do? Nothing that I can tell!
I have always liked the Quads...any Quads. I agree with you that the most expensive isn't necessarily the best. If you listen to classical and/or jazz, you probably go to a lot of live concerts and instinctively seek gear that doesn't sizzle your ears off, yet still has a lively and detailed midrange. I have owned $80,000 Dynaudio speakers (bought 'em used, thankfully, and sold 'em for just a tad more than I paid for 'em) that don't do any better than the Quads in anything close to a normal room, although they can fill a large warehouse
with loud music. On most of my software, my $6,000 Triangle Volantes sound closer to what I have heard in live concerts than the Dynaudios did, although the latter were more spectacular and did better in extremely large rooms. I agree with you: hyperbole is a valid rhetorical device, and your point is well made, even though there may not be any "stock" $250,000 speakers out there. Robm, don't be such a literalist -- it's the music that counts, and Quads are among the very few speakers that can recreate a good slice of the "live" experience in your living room. No system can make an auditorium out of your house, but Quads can give you the same goosebumps...and that's more than I can say for Wisdoms, Wilsons, Dynaudios, Nolas, JM Utopias, or other systems I HAVE heard that cost more than a new Porsche...and won't fill a room with anything any closer to "live" than the Quads will. Happy listening.