Sanders magtech or odyssey kismet

I am looking for a "last amp purchase" one I can keep for 20+ years and pass down to my son someday.
This probably won't happen, but it is a very good possibility.

I have gone through numerous over the years, with fairly bad luck with them, UNRELIABILITY!

I have narrowed it to these two amps. I know they are both very good.

I would like thoughts on them from other audio people as yourselves.
Before you say these speakers suck, I wanted to say I auditioned A LOT of different ones before settling on these. I use energy rc-70's, only about 45-50 hours on them, nowhere near broken in yet. I LOVE their sound, period.

People say these amps are too good for the speaks, I think not.
Maybe sanders preamp.

I have heard magtech sounds thin, and others say it's amazing.

Anyway, what's your thoughts on odyssey kismet monos or sanders magtech. Thanks
@bdp24- @bdp24- Here’s an item of interest, if you can stand the fan noise or have a closet for isolation: ( I used a DH500 for bottom end, 20+ years, with great results. This one already has polypropylene caps, on it’s board.  btw: Don't know if it will be an issue, but- most of your, "pro" amps will have XLR and 1/4" inputs, rather than RCAs.  Not hard to modify, but good to be aware.  I was glad my 9505 had all options
All right, thanks. I've done some more digging, and it looks like there are different levels of Crowns these days, with different designs, power supplies, etc. The fan noise the Pro amps are notorious for possessing would rule one out for me anyway, so I'll just hafta find a brute amp from a Hi-Fi company at a bargain price, something like a Parasound A21.
your post referencing member Satie & his amp output power was indeed illuminating to me.
yeah, the Tympanis want some real power, eh!

PArasound is a good choice for a brute amp at a reasonable price. Here are 2 choices that might fit:

needless to say they are both discontinued but the HCA in the model number tells its a high-current output esp. the 2200 - 2 toroidal xformers.

this one might be even better:

but I think the best route for you is very likely a class-D power amp - small size & most of them can output large wattages. Seeing a 500W/ch into 8 Ohms in a diminutive size is quite the norm these days. If you are looking for 2500W/ch into 4 like Satie has you are going to go broke if you try to get a class-A/class-AB amp. The only amps that i know of that output such large wattages are frightfully expensive (think Boulder, MBL, Rowland's new Daemon integrated, Gryphon).  
Right you are Bombay, the high end powerhouse amps cost as much as my whole system. Plus, I really don’t need a well-rounded amp with great sound in all octaves (I have a real nice amp for the Tympani's M/T drivers), just a great low end brute---muscular and tight-assed! The DIY subwoofer crowd guys all use Pro amps, but they aren’t audiophiles, with our cultured, refined tastes, and discriminating audio palates ;-). Satie IS an audiophile (purist analog lover, with a tube amp on the M/T panels of his Tympani’s), and the Crown he has on his T-IV bass panels is the discontinued Macrotech 5002VZ. He advises against the cheap and popular XLS line, so maybe I can find a 5002VZ used.
Satie IS an audiophile (purist analog lover, with a tube amp on the M/T panels of his Tympani’s), and the Crown he has on his T-IV bass panels is the discontinued Macrotech 5002VZ.
ok. what did he do about the mismatched input sensitivity of the tube amp vs. the Crown? Or, are the input send of both amps the same or very similar so that they both output max power at about the same input voltage level? 
My understanding is that if the inp sensitivity of both amps is different you could end up with too little bass or too much bass....