Dear Dgarretson, apparently my words were a bit misleading. I meant that it is not just the structure of the groove, but the tracking process ( which is a synergy of several mechanic-dynamic processes taking place simultaneously ) which determines the demand profile of a tonearm.
I think that the diversity in tonarm designs is to equal parts a result of each designers individual ideas, preferences in aesthetics and materials as well as different "blue books".
I don't say that one doesn't have to make any trade-offs in a tonearm design, but that is not the problem. The problem - IMHO ...;-) .. - is, that some relevant issues of the above mentioned tracking process aren't realized nor addressed. Because there is no strictly following the topic and objective ( and thus of universal validity ) blue book for the tonearm.
And - I would neither name the tonearm Athena nor Bruenhild ( both smart daughters of pretty simple minded fathers... ) - but it isn't mine to name it anyway, as I sold the design.
I think that the diversity in tonarm designs is to equal parts a result of each designers individual ideas, preferences in aesthetics and materials as well as different "blue books".
I don't say that one doesn't have to make any trade-offs in a tonearm design, but that is not the problem. The problem - IMHO ...;-) .. - is, that some relevant issues of the above mentioned tracking process aren't realized nor addressed. Because there is no strictly following the topic and objective ( and thus of universal validity ) blue book for the tonearm.
And - I would neither name the tonearm Athena nor Bruenhild ( both smart daughters of pretty simple minded fathers... ) - but it isn't mine to name it anyway, as I sold the design.