Silver cables added resolution

Hi,
I have full silver cabling for speakers and interconnect from Argento Serenity signature and Acoustic Zen Absolute (old version full silver) . I agree with "ghdprentice" comment, you must have excellent elements in your gear to use silver cables otherwise you can face hardness but in high end chain the gain is important.
Regards,
Stéphane

My silver plated QED Anniversary biwire cables sound good to me. Best of both worlds, copper and silver. This cable has won awards for many years, the reason is it sounds good.

In every situation i have been listening, i and my former hifi buddy did find silver to be hissed and anemic. I have had AQ Sky and Raven here (aswell as lesser known brands) and i sold all of them. Honestly, i will never again buy any silver cable. Copper all through. Nothing with silver strands or such will be in any of my devices either if i can avoid it. It’s my personal feel towards silver. I talked to a guy who updated Tidal speakers with some better components (yes, it was much silver involved, internal cables and components). He sold them afterwards. He told me the update was not to his liking. I have also been told, for years and years that silver is done bad if it sounds anemic or you hear a hiss. But in that case i find i have only ever experienced bad silver. I know Jorma cables also refuse using silver. So that would include Marten design speakers to i guess. Well, for those who like it, it’s ofcourse fine.

If you feel the mains is the source of your noise, you may want to try a good mains filter. 

I use pure silver cables (no copper) all the way through and do not exhibit the noise you speak of. That said every component goes through a mains filter AND an isolation transformer. Each component has it's own isolation transformer. 

My cables (IC and speaker) are also active - they have a 9v positive bias on the shield that is shunted to ground. 

@Fil, did you alter your gain stages at all when you switched cables?  If you turned down the output in your source device (and any other stages along the way), which meant you had to turn up the volume at your pre-amp in order to get the same amount of sound out of your speakers.  By doing this, you are also turning up the noise throughout the system.
If you keep your source levels high, as well as any adjustments along the way, then at the last point--the pre-amp--the volume does not need to be adjusted high for the same volume.  This means that the noise in the system (all systems have some amount of noise) is not boosted higher either.
If all of the gain stages before the final pre-amp one are set so high that you can barely turn up the pre-amp volume without blasting your speakers, then you'll need to find some balance by turning down the earlier gain stages.  You want to find a sweet spot where none of the gain stages are so extreme it makes other gain stages set at unworkable levels.

Sorry, if this doesn't make a lot of sense. I come from a pro sound reinforcement background where we typically deal with a lot of gain stages before the sound comes out of the speakers.  I'm trying to describe it in more layman's terms, instead of the lingo me an my work buddies would use.