SME iV.Vi or SME V for SME 20 turntable?


Hi all,
Could anyone please tell me which arm is prefered for the SME 20/2 turntable? What are the major differences between these tonearms? SME official website says that the SME 20/2A includes the V tonearm (for better compatibility?) BUT people at Sumiko say the iV.Vi is prefered, so i am a little confused. It would be great to hear from SME combo users themselves
Also, anyone bought the combo SME 20/2 and iV.Vi arm can tell me if this one comes complete with tonearm cable or it has to be bought seperately? If the cable doesnt come with it, any recommendation on tonearm cable for the iV.Vi?

Greatly appreciate.
jaytea
Thanks, Neil, for the update on the newer copper ribbon in the IV.Vi. I agree the internal wiring makes a difference.

The Sumiko site says the V's external cable is VdH 501 and describes the internal as 'van den Hul mono crystal silver', while SME says the IV's internal is LC-OFC copper.

In his coverage of CES in the April '07 'Stereophile', Fremer describes being shown an updated V that SME has (or is about to) release: "...upgraded low-tolerance bearings and new internal wiring of silver." Presumably the bearings are beyond ABEC-7 - wonder if they might be ceramic.

My ancient FMS Blue II copper tonearm cable sounds better than the stock SME and it is a wee bit limited on the frequency extremes. Its next on my list for upgrade.
Tim, that's right: the 501 is the crappy TA cable I don't like. Might as well just throw a blanket over your speakers and save the money!

The V has silver wire, the IV may use LC-OFC copper, but AFAIK it is in ribbon form.

New bearings, hmmmm . . . . ? To paraphrase an old Jewish punchline, "Whatsa mattah, yu didn like da bearings I already give you?"

It was sort of a happy accident, but I went from doggie doo to diamonds when I acquired (on a whim and VERY cheap) a Purist Venustas TA cable. My system and my bank balance have not been the same since ;--)

Okeh, dets all what I know! (.....famous Jewish grandmother ;--)
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Hi all,
Thank you so much for all the info. After careful consideration, I have chosen an SME 20/2 Table and a SME IV.Vi tonearm to replace my though-to-be-final setup: Avid Acutus & Origin Live Conqueror & Koetsu Urushi. My philosophy for hi-end now is that you have to spend a lot more for the last 10-15% of improvement, AND there is NO perfection ! Each and every hi-end tables i own has limitation/problem in its design, so i dont want to spend too much anymore. Just wanna get a good setup and enjoy the music. I have wasted too much time and money.
For those who wanna know, the SME IV.Vi now shipped with the damping trough mechanism included but not VTA adjustment as some noted in the V. That is OK with me because i just want to set and forget..i dont want to tweak VTA for every type of records i use. Plus, if you watch MF 's turntable setup DVD, he said in order to make a different in VTA, the base of the arm has to raise up to 3mm for 1 degree in VTA change..so i guess it doesn effect the VTA much going from 180gr to 200gr records.
The IV.Vi from Sumiko audio DOES have VTA adjustment feature added on (literally) the damping trough, via a threaded VTA screw.
Jaytea, you have a gorgeous system, I just looked at it! But God spare us MF. You can get more, and more accurate, hands-on information right here in these forums. (It's 4mm/degree BTW, not 3mm ;--)

http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1140840022&read&keyw&sra&&st0

As for the SME IV or V, you can't adjust SRA/VTA on the fly anyway. So basically, you HAVE to set it and forget it, which I therefore accept. HOWEVER, all the more reason to do so with the utmost accuracy -- for which you will need the adjustment screw and a set of automotive feeler guages. (The adjustment screw is removed when setup is complete, BTW)