Some famous reviewers have atrocious listening rooms!

It’s almost sad, really.  Some reviewers I’ve been reading for decades, when showing their rigs on YouTube, have absolutely horrible rooms.  Weird shaped; too small w/o acoustic treatment; crap all over the place within the room or around the speakers; and on and on.  

Had I known about the listening rooms they use to review gear in the past, I would not have placed such a value on what they were writing.  I think reviewers should not just list the equipment they used in a given review, but be required to show their listening rooms, as well.

Turns out my listening room isn’t so bad, after all.  




Four years ago when we were house hunting, I’d go into whatever room I was thinking of making the music room and clap and listen. When we bought the house we’re in now, wall to wall pad and carpet went down in the future music room. Then came the furniture and some acoustic panels. It’s by no means perfect, but now it passes the clap test.

Most of the magazine reviewers have terrible rooms, some way too small, others with wood floors and they claim there is no bass, speakers aren’t setup correctly,  and most don’t have any treatments. The more credible reviewers on YouTube and the internet pay more attention to room size, setup, and treatments.

This past year, TAS reviewed a few products that were 6-digits claiming they were the best of the best (what’s new, every product they review is the best). But in this case, multiple rooms at last years axpona sounded terrible with these products in these rooms. Multiple sites on YouTube and the web stated that these rooms sounded terrible, so when TAS came out with their reviews of axpona, they created a new column of terrible sounding rooms which was new. They had to do this because the other reviewers did this before them. 
HiFi+ years ago showed each of their reviewers rooms with a description of what reviewer had along with room dime sound. The other mags attempted to do this but failed


Not to defend Fremer, but walls of records, edge on, are a damned good start for treatment of the generic room.

For the purpose built room it's very different. There the dimensions have to be accurate to 0.125" (sic), and room treatment can be minuscule. The science, yes the science of good rooms was done at the School of Acoustics at Salford University, and the published research is there for all to use.

Your room is the most expensive component in your system.

and as Sam Berkow often said, the only way to eq a room is with a sledge hammer.