Some thoughts on ASR and the reviews

I’ve briefly taken a look at some online reviews for budget Tekton speakers from ASR and Youtube. Both are based on Klippel quasi-anechoic measurements to achieve "in-room" simulations.

As an amateur speaker designer, and lover of graphs and data I have some thoughts. I mostly hope this helps the entire A’gon community get a little more perspective into how a speaker builder would think about the data.

Of course, I’ve only skimmed the data I’ve seen, I’m no expert, and have no eyes or ears on actual Tekton speakers. Please take this as purely an academic exercise based on limited and incomplete knowledge.

1. Speaker pricing.

One ASR review spends an amazing amount of time and effort analyzing the ~$800 US Tekton M-Lore. That price compares very favorably with a full Seas A26 kit from Madisound, around $1,700. I mean, not sure these inexpensive speakers deserve quite the nit-picking done here.

2. Measuring mid-woofers is hard.

The standard practice for analyzing speakers is called "quasi-anechoic." That is, we pretend to do so in a room free of reflections or boundaries. You do this with very close measurements (within 1/2") of the components, blended together. There are a couple of ways this can be incomplete though.

a - Midwoofers measure much worse this way than in a truly anechoic room. The 7" Scanspeak Revelators are good examples of this. The close mic response is deceptively bad but the 1m in-room measurements smooth out a lot of problems. If you took the close-mic measurements (as seen in the spec sheet) as correct you’d make the wrong crossover.

b - Baffle step - As popularized and researched by the late, great Jeff Bagby, the effects of the baffle on the output need to be included in any whole speaker/room simulation, which of course also means the speaker should have this built in when it is not a near-wall speaker. I don’t know enough about the Klippel simulation, but if this is not included you’ll get a bass-lite expereinced compared to real life. The effects of baffle compensation is to have more bass, but an overall lower sensitivity rating.

For both of those reasons, an actual in-room measurement is critical to assessing actual speaker behavior. We may not all have the same room, but this is a great way to see the actual mid-woofer response as well as the effects of any baffle step compensation.

Looking at the quasi anechoic measurements done by ASR and Erin it _seems_ that these speakers are not compensated, which may be OK if close-wall placement is expected.

In either event, you really want to see the actual in-room response, not just the simulated response before passing judgement. If I had to critique based strictly on the measurements and simulations, I’d 100% wonder if a better design wouldn’t be to trade sensitivity for more bass, and the in-room response would tell me that.

3. Crossover point and dispersion

One of the most important choices a speaker designer has is picking the -3 or -6 dB point for the high and low pass filters. A lot of things have to be balanced and traded off, including cost of crossover parts.

Both of the reviews, above, seem to imply a crossover point that is too high for a smooth transition from the woofer to the tweeters. No speaker can avoid rolling off the treble as you go off-axis, but the best at this do so very evenly. This gives the best off-axis performance and offers up great imaging and wide sweet spots. You’d think this was a budget speaker problem, but it is not. Look at reviews for B&W’s D series speakers, and many Focal models as examples of expensive, well received speakers that don’t excel at this.

Speakers which DO typically excel here include Revel and Magico. This is by no means a story that you should buy Revel because B&W sucks, at all. Buy what you like. I’m just pointing out that this limited dispersion problem is not at all unique to Tekton. And in fact many other Tekton speakers don’t suffer this particular set of challenges.

In the case of the M-Lore, the tweeter has really amazingly good dynamic range. If I was the designer I’d definitely want to ask if I could lower the crossover 1 kHz, which would give up a little power handling but improve the off-axis response.  One big reason not to is crossover costs.  I may have to add more parts to flatten the tweeter response well enough to extend it's useful range.  In other words, a higher crossover point may hide tweeter deficiencies.  Again, Tekton is NOT alone if they did this calculus.

I’ve probably made a lot of omissions here, but I hope this helps readers think about speaker performance and costs in a more complete manner. The listening tests always matter more than the measurements, so finding reviewers with trustworthy ears is really more important than taste-makers who let the tools, which may not be properly used, judge the experience.


Without emotions, there is really no point in music.


That says it all for me. Not all, but most of these debates about measurements are just academic. I believe measurements are important for engineers when they design and test their gear, but I'm absolutely convinced Amir wouldn't know what he was listening to. I have my tube setups designed on the warm side. If Amir heard my system blind folded, he'd fail miserably. 

Without emotions, there is really no point in music.

If you need a non-performant tube amp to feel that emotion, you have no love for music, nor the talent that created it....

Complete rubbish quarrel which do not touch and stay above the ground : hearing theory...

What do we hear when we hear a sound quality and why do we recognize it as such ?

Bad answers:

----My branded name gear is picked by my taste and experience with gear.-

---- I read Amir reviews and i had bought ONLY what he measured as good .-

---- I only use ABX double blind test to select my gear 😋. ( This third answer is a joke, nobody go so lost as doing this  as the serious thing to do not even Amir whose "acuity"  anyway was measured as superiorly trained  spotting digital artefacts)



It is useless and preposterous to discuss the technical validity of some measures if this grounding point is not explained : how do we recognize sound quality ?

Sorry nor Helmholtz nor Fourier alone can explain it. A fortiori not Amir either ...


Like a petulant child.....the endless need to have the last word....


Amir, you’re a clown, and ASR is a clown-show. If we ever met, I'd tell you that straight to your face.

Kind of sad, really. Take something worthwhile and burn it completely down.

Nothing more than a petulant, immature child trying desperately to have the last word in an argument.

I doubt you’ve won anyone over to your point of view. Just me, though.....I’m sure you’ll win someone over with your incessant arguing and snarky replies. Complete with pretty graphs. IRL, I’m pretty sure we wouldn’t be friends, you’re just not very likeable. Might want to work on your people skills, dude. In the meantime...

Go to your room. You’re grounded.

Insults and personal attacks are meaningless...

Arguments only win if we are wise enough to begin with the common ground for any subjectivist or any objectivist deadend : hearing theory ...

Gangstalking is child play here in Audiogon as it is in ASR ...