Well, one man’s PRAT is another man’s ... PRAT
What I mean is that the type of PRAT that the Rega has is different than the type of PRAT from a VPI, IMO. I think of Rega’s sonic signature as being tied to a more traditional British sound, such as from LS5 speakers listening to the BBC all day long in the 50s or 60s.
For me, the Rega kind of PRAT may be more noticeable than the VPI b/c that is more related to Rega’s signature sound. More emphasis on PRAT, and long listening sessions without fatigue. VPI seems to have more emphasis on a fuller or more balanced sound from top to bottom than the VPI. So I think the VPI definitely has PRAT, but it is less conspicuous than the Rega.
Ive heard Rega’s of course, but I chose a SCOUTMASTER II, with a 10.5 arm and Ortofon Black MM. A local Rega dealer of 20 years referred to the VPI TTs as having a “soft” sound. I disagree, but I think that illustrates our preferences and differences. I like VPI PRAT, he likes Rega Prat. As such, one man’s PRAT is ... another man’s PRAT ...
What I mean is that the type of PRAT that the Rega has is different than the type of PRAT from a VPI, IMO. I think of Rega’s sonic signature as being tied to a more traditional British sound, such as from LS5 speakers listening to the BBC all day long in the 50s or 60s.
For me, the Rega kind of PRAT may be more noticeable than the VPI b/c that is more related to Rega’s signature sound. More emphasis on PRAT, and long listening sessions without fatigue. VPI seems to have more emphasis on a fuller or more balanced sound from top to bottom than the VPI. So I think the VPI definitely has PRAT, but it is less conspicuous than the Rega.
Ive heard Rega’s of course, but I chose a SCOUTMASTER II, with a 10.5 arm and Ortofon Black MM. A local Rega dealer of 20 years referred to the VPI TTs as having a “soft” sound. I disagree, but I think that illustrates our preferences and differences. I like VPI PRAT, he likes Rega Prat. As such, one man’s PRAT is ... another man’s PRAT ...