Mbleming
FYI: You may wish to also audition LFD integrated amps from the UK. There will be a huge write-up on these in both Stereophile and Tone Magazines in the coming days and this company will have a buzz in 2008, as they are now entering the US market. I know many studio engineers at the BBC who claim that they are the best in class for recreating a rock sound. They are built around the same quality component build theory as Almarro (simple engineering and sterling components) and can deliver real rock performance with speakers like the Zu Tones. Gene Rubin Audio has just added this brand in So Cal and I would suggest you research this alongside Almarro.
The best rock speakers I know are ATC 19s out of the UK. See the recent writeup on www.sonicflare.com. They are a true industry standard for studio monitors and they play all genres well. Their little brothers are the ATC7s and 11s. Very precise--will play the source exactly how it is recorded--warts and all. I have been in the music business (live touring) for 30 years and I use the professional 150s for my work. Pink Floyd and Rolling Stones and 1000 recording studios use these--the best endorsement I can give you. I have worked with everyone from the The Clash, Sting, No Doubt, U2, Red Hot Chili Peppers, etc...they are critical to my business around designing lighting routines.
With that said, when I am off, I like a more relaxed sound around my home and both Almarro and LFD are the finest amps I have heard from home consumer electronic providers. I really like the 205 amp by Almarro--I bought this for my daughter and she loves electronica and hip hop. She has a pair of studio monitors by Paradigm and a iMod player from Red Wine Audio. Killer sound for about $1,500. I would also look at the Fatman iTube amp out of the UK.
PS: I like Zu but they only sell direct and they require 250 to 500 hours break-in. The dynamics can be very aggressive and they are not good for long listening sessions.
I think you will love ATC with your music choices matched to the LFD. Radiohead sounds incredible on these and you won't believe the bass from artists like Hot Chip or LCD.
I hear lots of gear at the Electronics shows and am usually a skeptic around audiophile products. In my three decades, they rarely hold their value and very few reach cult status.
You would be wise to buy around brands that are not the latest fashion. From a amp and speaker perspective, Harbeth from the UK, Bryston from Canada, NAD from China, Paradigm from Canada all deliver finely built components with price-for-performance. These companies have weathered many a downturn in the market and provide long-term performance (Bryston gives 20 year warranties). I think the best CD source is Sony Playstation 1 and I love the new Rega and Pro-ject turntables.
You can build a really incredible system for a few grand these days and don't get caught up in the tweak factor that dominates this hobby. The smartest thing you have done has found this site. It is a wonderful forum to research your options. But be wary of people like 6moons--they also take advertising from manufacturers. A lot of your choices seem to come from their Blue Moon Awards. Check out Tone Magazine and Stereomojo--well respected sites.
FYI: You may wish to also audition LFD integrated amps from the UK. There will be a huge write-up on these in both Stereophile and Tone Magazines in the coming days and this company will have a buzz in 2008, as they are now entering the US market. I know many studio engineers at the BBC who claim that they are the best in class for recreating a rock sound. They are built around the same quality component build theory as Almarro (simple engineering and sterling components) and can deliver real rock performance with speakers like the Zu Tones. Gene Rubin Audio has just added this brand in So Cal and I would suggest you research this alongside Almarro.
The best rock speakers I know are ATC 19s out of the UK. See the recent writeup on www.sonicflare.com. They are a true industry standard for studio monitors and they play all genres well. Their little brothers are the ATC7s and 11s. Very precise--will play the source exactly how it is recorded--warts and all. I have been in the music business (live touring) for 30 years and I use the professional 150s for my work. Pink Floyd and Rolling Stones and 1000 recording studios use these--the best endorsement I can give you. I have worked with everyone from the The Clash, Sting, No Doubt, U2, Red Hot Chili Peppers, etc...they are critical to my business around designing lighting routines.
With that said, when I am off, I like a more relaxed sound around my home and both Almarro and LFD are the finest amps I have heard from home consumer electronic providers. I really like the 205 amp by Almarro--I bought this for my daughter and she loves electronica and hip hop. She has a pair of studio monitors by Paradigm and a iMod player from Red Wine Audio. Killer sound for about $1,500. I would also look at the Fatman iTube amp out of the UK.
PS: I like Zu but they only sell direct and they require 250 to 500 hours break-in. The dynamics can be very aggressive and they are not good for long listening sessions.
I think you will love ATC with your music choices matched to the LFD. Radiohead sounds incredible on these and you won't believe the bass from artists like Hot Chip or LCD.
I hear lots of gear at the Electronics shows and am usually a skeptic around audiophile products. In my three decades, they rarely hold their value and very few reach cult status.
You would be wise to buy around brands that are not the latest fashion. From a amp and speaker perspective, Harbeth from the UK, Bryston from Canada, NAD from China, Paradigm from Canada all deliver finely built components with price-for-performance. These companies have weathered many a downturn in the market and provide long-term performance (Bryston gives 20 year warranties). I think the best CD source is Sony Playstation 1 and I love the new Rega and Pro-ject turntables.
You can build a really incredible system for a few grand these days and don't get caught up in the tweak factor that dominates this hobby. The smartest thing you have done has found this site. It is a wonderful forum to research your options. But be wary of people like 6moons--they also take advertising from manufacturers. A lot of your choices seem to come from their Blue Moon Awards. Check out Tone Magazine and Stereomojo--well respected sites.