Speaker Selection Strategies For Atmos Music
I started a thread on budgeting for BOTH channel based audio as well object based audio. This thread is to help share strategies for budgeting for adding new speakers to an existing system or for starting from scratch.
The BIG misunderstanding I have seen so far is Atmos= cutting holes in your ceiling for ceiling speakers. No, that is only one of many options and I have never tried it (in a 9.3.8 system) so can’t discuss. if a member went the ceiling install route and wants to share some pearls of wisdom, that would be great.
So, let’s break down basic strategy for Atmos Speaker selection.
Strategy 1- Don’t use height channels! Atmos is backward compatible and a 5.1 system will fold the information from the height channels into the bed channels. No muss no fuss.
Strategy 2- Add satellite/monitors to your existing system. Check with your speaker manufacturer or dealer and see what they recommend. Give them your budget, what you already have and believe me, they’ll respond. Tip 1- to the wise, get a 30-60 day return policy just in case. Satellite speakers can be mounted high on the wall as height channels or faced downward and mounted right on the ceiling by purchasing brackets made for this purpose. Tip 2- Do NOT use dipoles/bipoles per dolby guidelines.
Strategy 3- Buy speakers that are made for atmos/height wall mounting. installation. I used JBL Control Now’s in the man cave, SVS makes Prime Elevation speakers, Finally speaker manufacturers have an entire category of atmos speakers, shop til you find what you like. Tip, I like wall mounting because you can angle the tweeters at the sweetspot, ceiling installs often have tweeters aimed at the floor.
Strategy 4- Go active. Active speakers are what they mostly use in the studios, most active speakers are biamped, use active crossovers, and monitors are easily mounted on stands or on sturdy wall mounts.
Strategy 5- If you have budget disregard everything above and just call a good custom installer. CEDIA certifies for this purpose but word of mouth works too.
Re: subwoofers, subwoofers get into a category of bass management which deserves its own thread. My only tip would be to budget for at least two, place them in corners (like front left corner, rear right corner) and use DSP or an equalizer to integrate them (most receivers and processors have this feature built in).
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This post aged well. | ||
@Deep_33 Thanks for posting that Steve Wilson interview. That's pretty much the same info the poeple I know on the mix side say to me. He's honest about the binaural nature of air pods, but basing your acceptance of ATMOS based on that alone is not enough to end it. Its APPLE's tech that developed air pods and it may not necessarily represent the future of ATMOS. Its worth noting that it is possible to have a good air pod presentation or a bad one, via how a given piece is arranged and mixed. There are engineers out there figuring it out. The discrete channel playback is a challenge but the challenge of it doesnt mean we should give up. When done correctly its extraordinary. Yes it costs more than two spealers but it does not cost 300K. Brad | ||
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With most of the modern A/V HT receivers with ATMOS decoding, you can choose a 5.1 or 7.1 set up just on the floor and no overheads. Since its object based, the software is supposed to "pull" the 7.1 out of the avaiable info and ignore the overrheads (which would be 11.1 if you had overheads).. THis gives you one of the nicest things in ATMOS, the side surrounds which are brilliant at motion- especially important in movies. |
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