2. speakers
  3. 1203340469

Spendor S9e or ProAc Response D28

I've been eyeing the Spendor S9e and ProAc D28 and while this is your typical "how does this compare to that thread", I wanted to give some background about where I'm coming from.

I currently own a pair of B&W 703's and my gripe with them is that my ears get tired of listening to them when playing music after 20mins or so. To be a bit more specific, at low volumes 60-70dB, these speakers are very listenable but low volumes don't do rock music justice. At higher volumes (80-85db) my ears get tired within a couple of songs.

In fact, at louder volumes even if I'm in the other room doing stuff on the computer and listening to music playing from my living room I get annoyed.

Not all is bad with these speakers, they shine when it comes to movies. I only have two of them but even so they generate an excellent phantom center (note: I haven't felt the need to add a dedicated center because they are that good). They also disappear into the background. Weird thing is I listen to movie louder than I do music, yet under this activity I don't find them fatiguing.

I've been thinking of upgrading my pre but the question I keep asking myself is that maybe I've outgrown this brand of speaker (I used to have 603's).

A bit more about me and my setup:
- Ratio of music-to-movie duty: 50/50
- Listening preferences: rock+hard rock (90%), everything else literally (10%).
- Source: Squeezbox v3 (my library has been converted flac)
- Preamp/Poweramp: NAD T742 / NAD C272
g_georgi
mlsstl
1,457 posts
 
I have a set of Spendor S8e speakers and really enjoy them. Very smooth and very musical at all volumes and I listen to a very wide range of music.

I've not heard them side by side with the Proac but my impression is the Proacs are a bit brighter and more forward, but certainly don't have the "edge" I hear from B&W speakers.

Shadorne does make a good point about the fatiguing effects of compressed music but I'd also ask the question, have you heard other systems that don't fatigue you in that fashion at the same volume level?

Since we all react differently to different speakers the most important thing is that you listen to them before you buy. The best audition is in your own home, but if that is not possible at least listen to them at a dealer.
g_georgi OP
18 posts
 
"have you heard other systems that don't fatigue you in that fashion at the same volume level?"

Short answer is no. The reason why I went with B&W is because of the proximity of the dealer to my, at that time, apartment.

At that time I had a pair of Athena bookshelf speakers, they were fairly ho hum. I picked up a pair of B&W 600's and was floored with how good they sounded. Then again the B&W's cost a few hundred dollars more.

I later traded in the 600 put in some extra cash and bought the 603's and then did it again for the 703's. My dealer has been good too me in buying back my speakers at full retail cost. I have heard other speakers at other stores but those setups cost many many times more that what I have.

Still to this day the best speakers I heard where a pair of Quad ESL's and if I had the room to fit those here this discussion would have never taken place :-)
arbuckle
89 posts
 
I A/Bed these two speakers and thought the Proac's were smoother and more engaging. Both were fantastic speakers and it came down to preference, but the Proac's in my mind were less fatiguing if you will.
shadorne's avatar
shadorne
7,477 posts
 
This a reviewers comments on Guns & Roses MFSL

No, even Mobile Fidelity's GAIN system doesn't turn Appetite for Destruction into a precise audiophile disc. But their mastering makes quite an appreciable improvement on this album, turning a barely listenable mess into a rather well recorded album for this genre. While this isn't in the very top tier of MoFi improvements, it's certainly well above average as remastering differences go. I don't know how many Guns N' Roses fans there are that will appreciate the improved quality of this disc, but anyone who likes this music would be much better served buying Mobile Fidelity's release instead of that poseur release Geffen sells. It's a much more enjoyable CD to listen to.

Improved from a barely listenable mess does not (to me anyway) equate to audiophile sound....need I say more.
gerardff
78 posts
 
I have had both in my system and chose the Proac's. I use Naim gear and tried the s8e's and the D28's. I loved the top end of the Spendors. My room acentuates HF to make your ears bleed, (at least my ears) and the Spendors were really smooth and non fatiguing on top. But the bass was where I had problems. Deep but slow, a tad wooly. I tried altering the port and moving them around but the bass was always too much and it made everything sound like it was a beat behind. I knew it wasn't the amp.
Then I tried the D28's and while they don't roll off the HF as much the bass is really tuneful and tight. They are smooth as well but a tad less polite, more truthful. I bought them and never looked back. This is after using Sequerra's for 12 yrs. or more.
I'd worry that the s9e's would be a handful for your amp. That big woofer needs a lot of control. But if you need to smooth out your sound they are probably a better choice. But don't say you weren't warned about the bass.
More to discover