Steam Cleaning - RCM or not?


I posted a couple of times yesterday about this over at AudioKarma, but thought I would ask here as well since Audiogon seems to be at the center of the steam cleaning information.

I tried steaming in earnest a few nights ago; I did an LP I've had for years that had had some minor mold on it, which I removed a long time ago with my RCM, but the spore pattern remained. It was gone in a minute with the steam, which I somewhat expected. What I didn't expect was how lifelike this 3rd pressing, orange-label Dynaflex LP suddenly sounded. Amazing!

My question is this; I'm really drawn to the idea of not using my 20+ year old RCM at all because of the noise, which I'm getting tired of hearing after all these years. I'd really like to be just steaming, lint-brushing with my home-made fluid I've been using a while, steaming again and wiping with a couple of microfiber cloths. That seems to work very well, except that I seem to be getting some gunk on my stylus now and again which may be lint from the cloths.

Is this a concern? I actually did this routine a couple of times to one side of an LP and then did the same thing but RCM'd and not microfibered the other side, and I would swear the non-RCM's side sounded slightly more real in each case. Sonically I'm completely okay with the cloths only, but am a little concerned about possible residue and whatever that is showing up on my needle—although my ears are telling me this is the way to go. Anybody else come to this conclusion?
vanmeter
Doug is certainly the expert when it comes to using the ME. The technique I learned from him was to trim a piece into a taper, sort of like one of those foam paint brushes, and use the thin part just like a brush instead of a dipping motion, which I never use anymore. Think brushing paint on the sides of the stylus carefully from top to bottom. It does take a reasonably steady hand and good visibility. This method should have easily taken that gummy crud off, but you would probably have had to just cut away that hunk of junk.

Keep working this with the steam and rcm, I still believe it will work very well for you once you find the techniques that work in your environment.

Also, you mentioned using a home-made cleaning solution. What this is made of, and how and when you use it in relation to the steaming step can have an impact on results. I like the idea of using an alcohol, or some other suspension, based cleaner along with the steam. This I find to keep the crud in suspension so it can be vacuumed up immediately. What works for me is to steam and then apply an alcohol based cleaner (AIVS in my case) while the LP is still wet from steam. Others report better results by applying the cleaner before steaming.
I wish everyone the best, but some of you are reacting to challenges that have already met & resolved as far as to steam cleaning. It is a fact that RCM's have a place in steam cleaning , but that does not preclude the use of steam only. For instance, the VPI RCM's work well with steam cleaning. They suck off lots of loosened materal far quicker that a Loricraft. But that does not mean a Loricraft can not be admended to the process.

The situation , the materals , the record's condition all interact with the outcome. Don't underestimate the importance of the condition of the pressing at the time of manufacture , even which pressing machine used, contribute to what resolution we hear from a given LP. I do suggest a read of most of the initial steaming thread , until the flamers . Lots of FYI buried there.

As always take care when accepting advice. Your prudence can save one from falling into a black hole. A comment I liked was from a person that claimed steamers don't make steam but water vapor koz steam is not visable to the eye. So, when one sees vapor no steam is present. Perhaps, but in the big picture its the steam (unseen) immediately followed by vapors and heated water spray that combine to loosen the grunge. Using a record cleaning solution can make for a greater improvement depending on the materials pressed between the grove and the output pressure of the steamer. Besides the idea is to use the properties of steam and water to bring you closer to the groves and hopefully the music. All steam could blow a hole thru the LP, something that can not happen with consumer grade hand-held steaming units , less garmet steamers that pose a danger to the LP due the surface area they heat. RCM certianly can significantly improve the listening experience ; they are the ultimate sucking machines.

All the Best.
I think I understand what you mean, Crem, as I've gone back and forth over the past couple of weeks switching between RCM and microfiber. And I've found that either way on some records I get gunk, sometimes that isn't gone after 2 or 3 plays. And only on some records, but while I had thought it was the end step causing it, I really am starting to think it's either something from pressing time coming loose with the steam or else...smoke, or something. At any rate, I'm glad to have come to the point I've seen for myself that I'm getting the same results basically with or without the RCM!
Vanmeter : With respect to micro-cloths "softer the better", has been my experience . I personally wouldn't be without my RCM but I use micro-cloths regularly and get excellent results. And, I never forget that MurphysLaw is always at work as far as LP pressings go.
My steam-enhanced steps:

1 - AudioQuest Carbon Fiber Brush to remove "big stuff"
2 - Remove line of "big stuff" with Nagaoka Rolling 152
3 - Apply Mobile Fidelity Enzyme Solution, work into grooves using Osage Listener Select Brush (best I've found)
4 - Let Enzyme work for 5 minutes, scrubbing once or twice during.
5 - Apply steam for about 3 revolutions while scrubbing.
6 - Vaccuum off fluids with VPI 16.5
7 - Apply Mobile Fidelity Rinse with second Listener Select Brush
8 - Vaccuum rinse with VPI 16.5
9 - Repeat steps 7 & 8

This has yielded the best results I've ever had using a variety of fluids over the years.