Stillpoints Ultra6 reference vibration controlers?

Category: Amplifiers

I started to work in audio in july 1998. I remember that the first day I started I had a blocknote with me. I started in room 1 of the loudspeakers. Here it all started to write down properties of each individual tool. For a long time I was addicted to audio. I was busy with audio for 80 hours a week. It was never enough for me.

Almost 17 years later I have done thousands of tests in audio. From the mid level till highend. I became aware that I could judge and understand audio a lot more easy than all my collegues. But I never understood why. Untill in 2012 I became aware that I have a photographic memory in sound. I trained this part of my brain for a long time. Every single audition I can recall. So a second audition I see in front of me and the first one is on the left side. Within a few tenths of a second I know already the difference between them.

When you are aware of all the properties of each individual 'tool' you will see and understand the patterns between them. And you will understand the connections between them. This means you understand how the stage and overall sound has been created. I can see 3-4 steps further than other people in audio can.

I judge every single tool on what I call Total Sound. Total Sound is like a blue print of the original sound. When I audition sets from 'new' clients, at shows or at another audio shop in almost all situations it is what I call 'incomplete'.
In most 'new' sets I need to bring in parts of Total Sound to make it complete. At the end it is so much more addictive to listen to any set I 'repaired'.

Parts of Total Sound:

- Soundrealism: you want and need an instrument to sound like
in real. I use Pass labs amps to the max for this. It is the
focus on sound of each different instrument and voice. For
example: you want to hear the difference between 2 acoustic
guitars of a recording. I always want to hear the full
pallet in the mid freq. The timbre is an essential part
of listening to music

- 3 dimensional soundstage: this is the most exiting part of
audio in general. This sets your beloved music in full 3D
in front of you. During listening you can focus on each
individual part of a recording.

- Intimate sound: instruments and voices are very small in
dimension and very direct in sound. You want a realistic
proportion of instruments and voices. Intimate sound has
a very big influence on our emotion.

- Blacks: The space between the instruments and voices with
their acoustic information during the recording. This is
level of physical appearance. You want to touch every single
instrument and voice of the recording. Germans use the word

- timing and speed: it is a very important part for authority
and control of the overall sound. Better timing will give
you less acoustic limitaions. But also a more natural sound.
Biside this you also can reveal more layers of the low freq.

- Resolution: you want to hear all details of the recording.
And it needs to be physical apparent.

- Air: This part gives the instruments and voices the freedom
during listening. Separation makes your music so much more

- A big freq. response: When your system goes deeper in freq.
response you will hear more information of a recoding. This
also has a big influence on our emotion. People can hear
till maximum 20 khz. But...the freq. response above it
influences our brains.

- articulation of voices: how clear you can hear word
endings, breathing of singers and moving lips.

- heights: When I received 2 sets of the Audioquest Wel
Signature xlr's it became more clear than ever. It makes
listening to music different and even more appealing.

I wanted to tell this information first before I start with the review of the Ultra 6. Because it makes it much more easy to understand how I work. By using tools for their properties you always will reach a superior endresult in sound. For a perfectionist like me you always go to the max. There is no room for error.

When you have done thousands of tests like me, you are aware of how important and unique the working of Stillpoints are in your set. I am a stillpoint dealer and use many of them in my set. They are an 'essential' part for the absolute sound. Why? Because they can add 'new' qualities I could not create with other tools.

At this moment we speak I do a lot of research with new tools and systems. I call it creating a new 'statement' in sound. Because I want to reach a higher endresult than ever before regardless price in audio. It is a higher level of accuracy and realism than before.

Without Stillpoints I would not be there were I am at this moment. When you compare the Ultra 6 against the other Stillpoints you know how much better they are.

I put them under my Pass labs X350.5. They operate in a different league. They even bring your set into a new zone. Like it puts your set into pause and it sets your music free. Your stage becomes wider and deeper and you get more air around all instruments and voices.

The mid freq. becomes more involving than before. Also the authority and control of the mid freq. is more precise.

When you compare amps or sources which have a huge difference in price ( 2000 dollar against 10.000 dollar+) you will never have this difference in timing the Ultra 6 gives to you. It is mindblowing in what it does with the speed and timing. It becomes so much more accurate and refined.

I noticed that the sound of a piano and cello becomes so much more natural sounding.

In the high freq. you will reveal more details. And again the control and authority in the high freq. gets to a much higher level.

The low freq. go deeper than before with a much higher level of authority again. You hear more layers but beside this the natural sound of a bass drum has never sounded this 'real'.

I am the first person who bought then in the Netherlands. And I am thrilled to own them. They are a crucial part of my set. They will have an important part for me to be able to create a new 'statement'in sound.

When you ask me the question; are they expensive? You know they are even rather cheap for the quality and level they bring. I'll love them till death!

Sound&Vision Consulting 16-2-2015
     Just stumbled on the 3D vs 2D concept. I've always wondered what was wrong with my hearing because I could never "hear" much depth in sound stage over maybe 4 feet behind my speakers. I have Monitor Audio RX-6. You say Onkyo is a good brand with my speakers. I've always heard a dedicated stereo amp is better than an AVR for music. You've recommended the TX-NR929 and TX-NR3010 which are AVR's.  Does Onkyo have stereo amps (integrated) that meet your 3D approval? Would a vintage Onkyo (5 - 10 years old) be worth buying?
With Audyssey they way we work we can outperfrom any stereo amp. Stereo without our way of measuring is inferior.

I could not hear to stereo without it. Even the highend sets of 300.000 dollar irritates me directly.

It has to do with timing. Old school audio is difficult to create a stunning sound without any limitation.

I work by Tru-Fi. These are 8 parameters you judge sound for. With old school audio is is a lot more difficult to get all those 8 parts you judge Tru-Fi for.

I have proven that I even can outperform the Marantz PM11S3 in stereo mode with an Onkyo TX-NR3010 with S.A.P. measurement.

It only can be achieved with my knowledge. For customers this is fully useless.
I understand you've worked years to achieve your ways of measurement for stunning sound.  How do your customers benefit?  I'm thinking about replacing my Harmon Kardon AVR (2005 model) Would an Onkyo TX-NR 818 (2012 model) be able to produce Tru-Fi with your measurements or is it too old school?  .
I have proven that I can create a much higher endresult out of any system regardsless money.

This counts only for my clients. I can think and work in properties. Because I work by Tru-Fi. All other people work by Trial and Error.

This means you are only able to listen to the endresult and do changements on this. This is a very ineffective way of doing audio.

I do this since I was 6 years old. This is not my work, but a part of who I am as a person. I can outperform any company in audio in the world at any level.

First of all I have a photographic memory in sound. You cannot copy this. This is what you need to work by Tru-Fi. And second I can hear patterns in sound and I understand why the sound and stage is what you hear.

I also work with the best lasers in the world. No floor or wall is fully straight. Beside this the acoustics always will influence the sound the most.

That is why I did hundreds of tests in acoustics in about 6 years of time.

Took a look at your facebook pics. You're right, there's no way anyone will ever be able to do set ups like yours. I've never seen anything like it before.  Your customers are quite a fortunate group of folk.