Sorry Dhl93449, Eldartford had it right:
An air suspension design requires a sealed enclosure, but not all sealed enclosure speaker designs are air suspension designs. The bass drivers made today usually come with the specs to determine the enclosure volume and port length and diameter for a ported speaker and the enclosure size for a sealed design. The sealed design is *not* an acoustic suspension design because the woofer's ability to make excursions and return to neutral is entirely dependent on the cone stiffness and magnet strength. In a true acoustic suspension speaker, the speaker cone and magnet strength are significantly reduced along with the enclosure size. The sealed air in the enclosure then supplements the magnet and suspension to control cone motion.
In a standard sealed enclosure, which is much larger relative to the woofer diameter, the sealed air does not significantly contribute to the cone excursion and restoration.
For example, a standard 10" woofer today might require a 4.8 cu. ft. enclosure if sealed. However, the true acoustic suspension designs of the '60s (e.g., AR3a, KLH, Advent, etc.) were mounted in a 2.3 cu. ft. enclosure and produced true low-distortion bass down to around 30-33 Hz. The floppy suspension and thin cone lowered the free air resonance of the woofer to make this possible.
An air suspension design requires a sealed enclosure, but not all sealed enclosure speaker designs are air suspension designs. The bass drivers made today usually come with the specs to determine the enclosure volume and port length and diameter for a ported speaker and the enclosure size for a sealed design. The sealed design is *not* an acoustic suspension design because the woofer's ability to make excursions and return to neutral is entirely dependent on the cone stiffness and magnet strength. In a true acoustic suspension speaker, the speaker cone and magnet strength are significantly reduced along with the enclosure size. The sealed air in the enclosure then supplements the magnet and suspension to control cone motion.
In a standard sealed enclosure, which is much larger relative to the woofer diameter, the sealed air does not significantly contribute to the cone excursion and restoration.
For example, a standard 10" woofer today might require a 4.8 cu. ft. enclosure if sealed. However, the true acoustic suspension designs of the '60s (e.g., AR3a, KLH, Advent, etc.) were mounted in a 2.3 cu. ft. enclosure and produced true low-distortion bass down to around 30-33 Hz. The floppy suspension and thin cone lowered the free air resonance of the woofer to make this possible.