subwoofers and panels don't mix

Eldartford describes: "sw drivers mounted in the wall behind it" SO, you're "infinitely baffling" the sw?

If so, I assume you're equalising the s/w via the Behringer - no? Have you checked for phase?
Cheers

Mrtennis notes "i still tend to hear both cone and panel separately ". That's often the case. Don't forget, panels are open baffle while sw are boxes.
BTW, someone describes using an open baffle SW system to pair with stats -- but can't find it.

Sit in front of and between ML Summits.
Play music.
Listen.

:)

My experience echos that of Cmo's. Low pass set very low, 40hz., and at low volume, I can get a pretty good blend and sub bass reinforcement. When I try to use the sub to recreate the bass of 1.6's for certain types of music, (rock, alternative) it just won't blend properly. But then again, my rock is usually played at volumes high enough that the room accoustics have broken down, destroying anything approaching sound coherence.
Active crossovers in front of the amps might make playing a wider range of bass through the sub more workable with the 1.6's.

Jim S.

MrTennis - I have a pair of Revel B12 subs (non-ported)with my Magnepan 3.6 r's and they are completely integrated into the system. That was NOT easy to do. I spent 6 months experimenting with placement of the subs and experimenting with subwoofer interconnect length and materials. I finally settled on custom made silver cables 1.5M long (the amplifiers are 3M of cable (Nirvana SX Ltd XLR) from the pre-amp and the main speakers use 4ft of (Purist Audio Aqueous Anniversary bi-wire)speaker cable. I have access to lots of cables to try and a lot of patience to get the system sounding right. To get a sub (or subs) to seemlessly integrate with planer or panel speakers isn't easy - it takes a lot of work, but I am here to tell you it CAN be done.

Gregm...My three SW systems are "sealed enclosure" which as you probably know is not the same thing as "infinite baffle". The enclosures (which are all the world like coffins standing on end) are embedded in a wall. Their front baffles, which go floor to ceiling, are covered with acoustic foam (for the Maggie backwave). Fabric goes over the whole thing, so the SW systems are completely camouflaged.
Phasing is easily verified using my spectrum analyzer. (Out of phase produces a deep sharp notch at X/O).