Supratek Owners Thread

Greetings All - 
It appears that the 26-million-plus view, multi-decade "Preamp Deal of the Century" Supratek thread has been removed. I'm not sure why, but suppose there must be a reasonable explanation.
In any case, on that thread I recently asked whether there might be interest in a "Supratek owners thread" and received some interest. 
The purpose of this thread is for Supratek owners to share the details of their system, ask questions, share information about any tube-rolling they have done, and so forth.
I'll kick us off here with a few details about my system -
ancient Linn LP12 with Ittok arm, Dynavector 17D3 cartridge into Cortese LCR phono stage
Power amp is a fully serviced Innersound Electrostatic amplifier
Quad ESL63 speakers (not USA monitors) or JBL 4430 studio monitors
Digital sources are immature and evolving - ancient Fostex CR300 cd player/burner
DacMagic 100 DAC
Nordost Blue Heaven 75ohm interconnect
Due to the fairly long lengths of speaker wire required in the new listening room, speaker wire is Belden 12 gauge wire designed for low-voltage outdoor lighting systems. 
Next steps - dedicated circuit, new power cords, new interconnects, new wires.
Jayctoy - 
The phono preamp is very, very good. As noted above, I am using a Dynavector 17D3 cartridge on a Linn Ittok arm. I have previously owned (and enjoyed) the Dynavector 10x5 mkII, which is a very nice cartridge, and, many years ago, a Sumiko Blue Point special. 

In terms of other phono stages, I have used internal phono stages in the following order - 
Eico ST70 integrated
Luxman 1055 receiver
Naim 72 with MM and MC phono boards
Main 82 with MM and MC phono boards
Linn Linto

I acknowledge that, of all these, only the Linn Linto would be worth talking about. The Linn is a well-regarded phono preamp, but by no means would it be considered reference quality. I've never had the chance to hear listen to a reference quality phono stage. Over the many years I've "been an audiophile" I've mostly concentrated on buying and listening to music. Mostly records. I've had little interest in upgrading. I find auditioning equipment to be stressful and no fun. 

I chose the Cortese with LCR because A) the vast majority of the comments about Suprateks on the internet are overwhelmingly positive. No, they are more than positive - they are the comments of very happy people who are delighted with their purchase. B) After reading Mick's blog posts about the evolution of the design of the Cortese and development of the LCR phono stage it sounded like what I was looking for. I wanted to treat myself (I just retired from a near 40 year professional career) to a "final" preamp, with a phono stage. And because I have many thousands of records, I went ahead a pulled the trigger.

I recognize my ability to compare this phono stage to others is very limited. But here is what I notice when listening to my records now;
1. New sonic details emerge which greatly contribute to my enjoyment and and understanding of the recording. Tunes which were previously boring often have become much more interesting, because I can hear how the musicians are - or are not - playing together. These tiny details (an in-drawn breath, an extra bit of force between a flatpick and a guitar string, a more heavily plucked bass guitar string, the atmosphere of the venue within which the recording took place) are delightful. The downside is that, if a producer has been careless in a production choice (like heavily boosted bass on a hip-hop track) I also hear that.
2. Tone; instrumental timbres are weightier and richer. More fully fleshed out, more "rounded".
3. The music is not fatiguing. In fact, this extends to the Cortese overall - this preamp has transformed my soundsystem and I want to spend much more time with it. Listening sessions have become much more treasured and engaging.

As I noted above, I don't really enjoy shopping for hi-fi equipment. I find it stressful and wearing. I don't want to take a handful of albums around to all the hi-fi stores and listen to various phono stages, over unfamiliar speakers, cartridges, preamps and so forth. I want the journey to be over, so I can get back to listening to music. And relaxing, and exploring new musical horizons. I feel blessed that that is where I've ended up.

One other comment; almost anyone shopping for a new component is going to have to gather information from the written word on the internet. I say this because there are simply too many excellent options out there these days. It is logistically difficult and time consuming to go around and hear everything in person. We need information to be able to narrow it down to a manageable number of options, a short-list. 

I love the fact that the Supratek has point to point wiring and a lifetime guarantee. And that the standard tube-set can be expected to last 10,000 to 20,000 hours.

Hope this helps. 
Thanks for the phono comment, .Does Supratek has US technician if the unit will need service.
I ordered the new Supratek Pinot Phono Stage in black on black. I sold my Sutherland 20/20 to make room for it. This will be my second Supratek, the first was the Syrah pre amp. I loved the Syrah but had to sell my gear and downsize around ten years ago. But I still have some of my tube collection and they will work in the Pinot, such as the Sylvania metal base 6SN7A, Western Electric 350B, and Bendix 6106. Its going to be a month long wait though as Mick went on vacation right after I ordered. 
Greetings to all who wanna keep score on These two (Don Sachs version of the SP 14 Pre and my Supratek Chardonnay GEN 3 )
...thats right two of the BEST under $3k preamps out there (That can shame 10k to 15k Pre’s) Well if you look at my few earlier post ...i decided after much thought to go with Mick’s drop dead gorgeous...fully loaded GEN 3 Cradonnay PRE( remote....balanced in and outs ) with the brand new Shuguang WE6SN7 Vacuum Tubes that Replicate the Sweet sounding Western Electric 6SN7!....I got almost 500hrs on this Pre with these GREAT sounding 6SN7 tubes....and i will get a little more specific with this KRAZY sounding and and Killer looking Pre in the next few months (my Baby Girl is getting married)..But from my perspective at this wouldn"t have a chance to change my mind and Pry it from my Hands ( After owning sum Pres that ran well over 5K ) ..First is its tonality is spot on.( my opinion).TRUTH...It has a wider and deeper soundstage (Compared to my BAT-33SE which is a great pre in its own right) and nice Height to Boot....soo stay tuned as i continue to burn in and use this GREAT PRE with my Maxed out Audio Mirror Tubadour 3 DAC,( Which is another Giant slayer) ,,with Martin Logan’s (GREAT) Montis Speakers....with Dual Vandersteen Latest subs while Driven by The Great American Rogue Tubed M 180 (latest DARK Revision) Monoblocks.....should be and will be F-ing FUN!!

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