Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
theaudiotweak
The perfect room would sound like the the open air spaces of a desert or the Bonneville salt flats when no one’s racing. With no boundary effects other than salt or sand below the resulting p- wave would have little or no interference. That is the key the removal of horizontal and vertical wave interference which will return to the source thru all the attached boundaries faster than the speed of sound thru air. That is the sound of a room with boundaries. Tom

I was wondering why I kept hearing sonic booms in my room. I shall be moving to the desert ASAP. 🦂

oregonpapa:
We're only hearing what came through the microphones.

This is NEVER the case. You are hearing every coloration after the microphone, including your gear, speakers, and room. The goal of an accurate reproduction means minimizing every coloration coming from your power, source player, and onwards. The source material has already gone through a boatload of colorations, after the microphone.
^^^
In other words, the best we can ever hope to hear is what entered the microphone?  :-)

Frank