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Technics SP-10 Tonearm Pod instead of Plinth/Base

Trawling through the Audiogon forums for information on a suitable Plinth for a Technics SP-10, I came across a post by Raul.
Instead of putting the SP-10 in a plinth, he just put the TT on three feet and then had constructed a separate base that only housed the tonearm. (I haven't seen a pic of this BTW)
Following on from Raul's 'Thinking outside the square' approach, I thought I might be able to buy, or have made, a stand-alone 'pod' or rectangular tonearm plinth that could sit along side the SP-10. Has anyone seen something like this that I could buy 'off-the-shelf'?
The advantage of this is that the tonearm is decoupled from the TT and therefore distanced from any vibrations generated by the TT.
A down side is getting the right geometry for the tonearm in relation to the distance from the spindle; and then keeping the pod in the right spot.
If this is all too hard, I might still go with a plinth. I notice an E-Bay seller in Taiwan is offering a Teak plinth cut for the SP-10. Anyone bought one of those?
All comments welcomed!
dsa
rwwear
2,867 posts
 
I don't know if it was stated above but the SL-1000 was the SP-10MKII with the base, dustcover and arm included.
audioblazer's avatar
audioblazer
325 posts
 
I suggest u look up turntable dot it or google reed tonearm. The manufacturer of reed tonearm do produce tonearm pod/ base or turret . It's make of certain matrixes, cork and stainless steel. Beautiful and not too expensive . From my friends experiment with Garrard 401, it's seems isolated base is the way to go. I hve not set up mine on a Garrard 301 yet while waiting for Mark Kelly psu and finally decide to build a birch ply base even though I would prefer a slate plinth which unfortunately is difficult to come by in my country . Buying a slate plinth with shipping due to it's weight wld be pretty expensive
lewm
13,037 posts
 
Dear Audioblazer, You wrote, "From my friends experiment with Garrard 401, it's seems isolated base is the way to go." Can you tell me/us just what experiment your friend conducted? I also wonder how it is possible to generalize from any one turntable, especially one that is rather esoteric, to all turntables on a subject such as this.

By the way, have you had any recent communication from Mark on his PSU? I too am awaiting a Kelly supply, for my Lenco in this case.
audioblazer's avatar
audioblazer
325 posts
 
No communication since 1 mail that project is starting. However from wikispace it's seems there is a delay from April deadline. I heard a Garrard 401 not optimumly set up with isolated tonearm and it was exciting and full of prat. That's why I decided to experiment with a properly refurbished Garrard 301, purchased a reed turret , 12" reed 2p , ortofon a90 and dynavector x-1vs , mark Kelly psu. Let's see whether it will outperform my raven ac3 with raven 10.5 tonearm. Suspect it will be great for rock and classical music. Yes, listening to 1 set up is not conclusive but looking at stefano set and how da Vinci turntable is designed with isolated tonearm, I decided to take the route. Another reference go to promitheusaudio dot com
lewm
13,037 posts
 
There are megabuck turntables that do it either way, tonearm on outboard pod vs tonearm very firmly associated with the bearing/platter. Probably it works either way, if the design is done properly. As I stated several times, my main beef with a separate pod is the possibility that a careless bump will destroy the alignment. That's on the practical level. Then too on the theoretical level, I like the idea of rigidity of the connection between tonearm/platter via the arm mount and bearing.

Probably I should query Mark on the controller.
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