Hi mig,
That’s my sense as well as to the probability of any significant changes at this juncture. You say that the Diavolo sounds like live music and Jonathan has written several times the Diavolo is the more emotionally involving amplifier. These are high compliments and quite revealing observations (what is more flattering than such comments ?). This is what can lead to very long term satisfaction with one’s audio system. Actually it seems as though the Encores are functioning as a truly transparent conduit and further exploiting the innate excellence of the Diavolo. My suspicion is that Jonathan has recognized this outcome as well.
BTW for jazz lovers I’m currently listening to "George Coleman At Yoshi’s" a well know jazz venue in Oakland, CA. Coleman on tenor saxophone leading a quartet. It’s good!
Charles
That’s my sense as well as to the probability of any significant changes at this juncture. You say that the Diavolo sounds like live music and Jonathan has written several times the Diavolo is the more emotionally involving amplifier. These are high compliments and quite revealing observations (what is more flattering than such comments ?). This is what can lead to very long term satisfaction with one’s audio system. Actually it seems as though the Encores are functioning as a truly transparent conduit and further exploiting the innate excellence of the Diavolo. My suspicion is that Jonathan has recognized this outcome as well.
BTW for jazz lovers I’m currently listening to "George Coleman At Yoshi’s" a well know jazz venue in Oakland, CA. Coleman on tenor saxophone leading a quartet. It’s good!
Charles