Halcro, it is fortunate for you most cartridges and tonearms fall in the middle of the road now so it is much harder for you to screw up.
Resonance frequencies do not occur at sharp points. They are most pronounced at specific frequencies but ramp up and down over 1/2 an octave or so. The effects of a tonearm cartridge combination with a vertical resonance of 16 Hz will occur well into the audio range the result being sustained feed back. This would be like putting a Koetsu in an Infinity Black widow tonearm. On the other hand if you put a Shure V15 in a Kuzma 4 Point the slightest warp will start the tonearm bouncing merrily towards the spindle.
Now I have routinely said that I try to keep the resonance frequency below 10 Hz as close to 8 as I can get it because it does make an audible and palpable improvement in low bass performance. In most systems it would not matter much because they do not have any significant output below 40 Hz. I do and I can promise you there is a significant difference even between 12 and 8 Hz (1/2 octave)
Everyone should get a test record and watch what happens when the stylus gets to the right resonance frequencies. The tonearm starts visibly shaking.
Atmasphere, anyone who likes "In the Wake of Poseidon" is OK by me:)
Forget about manufacturer's specs. There is always a degree of variability. The best way to deal with this is play a test record and add or subtract weight until you get the resonance frequency where you want it. If you get between 8 and 12 Hz you are done. Put the record away until you change cartridges.
Resonance frequencies do not occur at sharp points. They are most pronounced at specific frequencies but ramp up and down over 1/2 an octave or so. The effects of a tonearm cartridge combination with a vertical resonance of 16 Hz will occur well into the audio range the result being sustained feed back. This would be like putting a Koetsu in an Infinity Black widow tonearm. On the other hand if you put a Shure V15 in a Kuzma 4 Point the slightest warp will start the tonearm bouncing merrily towards the spindle.
Now I have routinely said that I try to keep the resonance frequency below 10 Hz as close to 8 as I can get it because it does make an audible and palpable improvement in low bass performance. In most systems it would not matter much because they do not have any significant output below 40 Hz. I do and I can promise you there is a significant difference even between 12 and 8 Hz (1/2 octave)
Everyone should get a test record and watch what happens when the stylus gets to the right resonance frequencies. The tonearm starts visibly shaking.
Atmasphere, anyone who likes "In the Wake of Poseidon" is OK by me:)
Forget about manufacturer's specs. There is always a degree of variability. The best way to deal with this is play a test record and add or subtract weight until you get the resonance frequency where you want it. If you get between 8 and 12 Hz you are done. Put the record away until you change cartridges.