TL;DR
I was however fortunate enough to catch @kirkus’ post. Thanks for taking the time to post.
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Have you ever played with tonearms which have multiple counterweights that can be used in different combinations? The resonant frequency shift from using different combinations (maintaining the same tracking force) it typically much less than 1 Hz, but the effect is salutary.
When I perform a setup for a customer with an arm having this capability (Kuzma 4Point, Tri-Planar & Moerch being three examples), there’s an optimum combination, for any particular cartridge.
Once you hear this, you’ll understand that resonant frequency tuning is more than about warped records.
Thom @ Galibier Design
I was however fortunate enough to catch @kirkus’ post. Thanks for taking the time to post.
---
Have you ever played with tonearms which have multiple counterweights that can be used in different combinations? The resonant frequency shift from using different combinations (maintaining the same tracking force) it typically much less than 1 Hz, but the effect is salutary.
When I perform a setup for a customer with an arm having this capability (Kuzma 4Point, Tri-Planar & Moerch being three examples), there’s an optimum combination, for any particular cartridge.
Once you hear this, you’ll understand that resonant frequency tuning is more than about warped records.
Thom @ Galibier Design