Late 1990’s. I was trying different things and his stuff was so good I had to call and guess my enthusiasm made up for not having an actual business and so he let me be his distributor in Seattle. Which really amounted to showing off to the guys at the local audio club, taking them around to try in their systems.
I was young, it was fun. Didn’t pay anything, certainly not enough to cover all my time visiting all these guys. How many people make house calls to demo $60 worth of Cones? 😂 But it was cool, I got to see a lot of systems, learned a lot, massive experience.
So working with him was all over the phone, and working with his products. He sent me some stuff nobody else got, which is how I learned it isn’t really the carbon fiber, that is almost entirely cosmetic and makes for a nice story. When I say over and over again how the "reasons" manufacturers state for performance are best regarded as nothing but stories, it comes from experience. Lots of experience. Not just DJ. Lots of em. All the same. Stories.
Audiophiles take the stories so seriously. Psych!
Back then I had a lot less experience and confidence. The idea for the Miller Carbon turntable came from using the Basis and realizing it was nothing more than a board with some holes in it. If the Basis could be that good with acrylic, which is nowhere near as good as BDR, think what it could be made out of BDR!
Being young, naive, and trusting, I discussed my ideas with DJ. Couldn’t get him to make me one. Finally decided to just build my own from a BDR Source Shelf.
That was the beginning of the end of my working with DJ Casser. First he started telling me his material was too hard, couldn’t possibly be cut except with special tools. Then even if I did the dust would kill me. When I say manufacturers exaggerate, here we go. Cuts up just fine with band saw, table saw, router, you name it. Sands out real nice too. Just look at it. Anyone but chakster can see how beautiful it is.
The end of working with DJ came at CES. I was in the Talon room with my prototype turntable on display. A friend came in said, "Hey have you seen the BDR room? DJ ripped off your turntable!" Went there and sure enough, everything I had told him that he had pretended no interest in doing, he had stolen and built into a real impressive looking table!
So that was my experience working with DJ Casser.
I was young, it was fun. Didn’t pay anything, certainly not enough to cover all my time visiting all these guys. How many people make house calls to demo $60 worth of Cones? 😂 But it was cool, I got to see a lot of systems, learned a lot, massive experience.
So working with him was all over the phone, and working with his products. He sent me some stuff nobody else got, which is how I learned it isn’t really the carbon fiber, that is almost entirely cosmetic and makes for a nice story. When I say over and over again how the "reasons" manufacturers state for performance are best regarded as nothing but stories, it comes from experience. Lots of experience. Not just DJ. Lots of em. All the same. Stories.
Audiophiles take the stories so seriously. Psych!
Back then I had a lot less experience and confidence. The idea for the Miller Carbon turntable came from using the Basis and realizing it was nothing more than a board with some holes in it. If the Basis could be that good with acrylic, which is nowhere near as good as BDR, think what it could be made out of BDR!
Being young, naive, and trusting, I discussed my ideas with DJ. Couldn’t get him to make me one. Finally decided to just build my own from a BDR Source Shelf.
That was the beginning of the end of my working with DJ Casser. First he started telling me his material was too hard, couldn’t possibly be cut except with special tools. Then even if I did the dust would kill me. When I say manufacturers exaggerate, here we go. Cuts up just fine with band saw, table saw, router, you name it. Sands out real nice too. Just look at it. Anyone but chakster can see how beautiful it is.
The end of working with DJ came at CES. I was in the Talon room with my prototype turntable on display. A friend came in said, "Hey have you seen the BDR room? DJ ripped off your turntable!" Went there and sure enough, everything I had told him that he had pretended no interest in doing, he had stolen and built into a real impressive looking table!
So that was my experience working with DJ Casser.