The Rapid Rise (& Fall) of the CD


A few days ago, one of my favorite YouTube channels did a video on the CD. This channel (Asianometry) always does an incredible job telling the story of different technologies, technical industries and/or products.

I think most of you will find the 25 minute video to be very interesting.

Asianometry - The rapid start (& end) of the CD

mwinkc

I don't get the appeal to streaming because my intent is the music I like to listen to. Having the world at my fingertips is meaningless and wasteful if I only like to listen to what would amount to about 1% of the music out there, comparatively speaking.

I get my take on what's out there easily enough to not have to spend on streaming what I had to with my CD set up to have it sound as good. For me, that's money down the drain. I'd rather buy better speakers for that kind of money. 

I've been to sites where you type in your favorite musician(s) and up will pop recommendations that closely align displayed in a field with the closest ones being the most similar and the furthest ones not so much. In each and every instance of investigation of said artists, not one appealed to me as much as the one I used for input. The display wasn't meager and would show about 20-30 artists. After a while, I stopped using it for its uselessness. 

This was some time ago and I can see how it was a primitive precursor to what's now used by Tidal, Qobuz, Spotify and others as part of some algorithm in their searches for similar music, with images and liner notes to sweeten the deal. I'd still have the same results if I streamed. 

There are places to go and listen to what's out there without paying a thing for it. That's more than enough for me. Spending time to listen to what others have collated and curated resulted in disliking most of what I listened to, just like with that site I mentioned before. To be honest, I find it boring.

It appears to me that some sort of hoarding is the latent function with pride and command of ownership as the manifest function (it's the way my mind works, YMMV). Like I've mentioned before (twice), this passive aggressive push to get others to stream by faint condemnation and curiosity (sealioning) instead of just letting it go, is what unnecessarily divides us. There's no need for hard lined conformity. I've never asked for justification for my set up: just wanted to share for those who are curious. Happy listening to one and all in your own way.

All the best,
Nonoise

 

@nonoise  Nobody wants to make you stream.  Some people really like being able to find new (to them) music through streaming and are free to express that like on this forum. 

There are probably more threads with differences of opinion on Audiogon than not.  That's the way forums work.  If you don't like reading about streaming, don't read the threads.  There are many topics I avoid in these forums.  It's easy to do.

Funny, I have 31,100 LPs and 16,300 CDs.  I need to cull 15% of each (duplicates and just uninteresting to me).  However, I would not want to be without either and I'm 68, part-time musician, recording engineer, composer (2X) archivist and singer.  However, that's my hobby.  I play my CDs through a Lampizator Poseidon (2nd system Topping D70s) and Jay's Audio Transport CDt3 Mk3.  CDs have exactly the same sonic and musical appeal as does analog.  Good mastering and good sound trumps the formats.  Streaming can be an equal but generally isn't as the source material is inferior 85% of the time, often as good and rarely better.  The best streaming sound is generally more expensive than my analog and digital setups.

@nonoise  Nobody wants to make you stream. 

I wasn't reading between the lines. It was fairly obvious in a few posts  That's why I said what I said.

You can go back to threads where an OP asks for advice with CDTs or CDPs, expressing no interests or wish to do streaming only to be assailed on his choices and told to start streaming. Time is short and it's getting old.

All the best,
Nonoise

There are several drawbacks with streaming.

1. Historical and documentary information is generally unavailable on the recordings/artists.

2.1/3 or more of my 78s, LPs and CDs will never be streamed, especially ethnic music. Out of 61,100 LPs/78s/CDs/R2R

3. Streamed material can be added and deleted so that it’s here today and gone tomorrow.

4. Quality of the source material.

Actually, I prefer listening to solid state types of digital reproduction, flashdrives for instance perfect transfers from mastertapes/digital source material.  I have saved 100s of my favorite and rare CDs to solid state.  It's also transportable with ease.